NaPoWriMo 2026 [April 16]
Day Sixteen
Happy sixteenth day of National/Global Poetry Writing month, everyone!
Our featured daily participant is klara laurenzia linden, who brings us a bilingual response to Day Fifteen’s unusual-love-poem challenge.
Today’s resource is Copper Canyon Press’s “Line/Break” interview series, which brings you half-hour-ish episodes featuring eight contemporary poets.
And last but not least, here’s today’s optional prompt. In “Ocean,” Robinson Jeffers delivers an almost oracular, scriptural description of the sea not just as a geographical phenomenon, but a sort of being – old, wise, profound, and able to teach those who want to learn. Today, try writing a poem in which you describe something that cannot speak, and what it has taught or told you.
Happy writing!
-
What the half-room refused to say
The room is not whole.
it has been decided for me.
a line exists,
drawn,
enforced:
by cupboard edge,
by shared wall,
by divided bed,
by the way voices travel
only one direction.
my half
learns the discipline of shrinking.
the bed knows how to fold itself
into apology.
the desk keeps its elbows in.
even the window
opens like a compromise,
never fully,
just enough to prove air exists.
nothing here belongs without permission.
the other half:
i do not name it.
i cannot.
i do not have the right.
naming gives it symmetry.
it does not deserve that.
it spills:
light, instructions, inherited noise,
the clatter of a life
that assumes its right to be loud.
my half learns silence
like a second language.
there are nights
when the wall breathes differently.
not alive,
even slightly, but
just aware
of how thin it is.
i have measured that thinness
with my back,
with my listening,
with the way my thoughts
stop mid-sentence.
this room has taught me
how division becomes etiquette.
how you can live entire years
on the smaller side of a decision
you did not make.
how space is not architecture
of autonomy
it is the benevolence
of their permission.
and permission,
like everything else here,
is rationed.
still,
nothing breaks.
not the wall,
not the line,
not the borders,
not the partition,
not the boundary,
not the careful choreography
of staying inside what is mine
only because it was left over.
the room says nothing.
but every day
it rearranges me
into halves
into smaller obediences
and develops,
then quieter partitions
then smaller territories
then enclaves
that do not argue anymore.
~ Oizys.
Thursday, April 16, 2026
Wednesday, April 15, 2026
NaPoWriMo 2026 [April 15] - In Case Someone Needs Fire
NaPoWriMo 2026 [April 15]
Day Fifteen
Welcome back, all! As of today, we’re halfway through another Na/GloPoWriMo.
Our featured participant today is kellysteller, who brings us an Instagram-inspired response to Day Fourteen’s technology prompt (I think I saw that post about the Japanese insect called the “thorny thornless thorn thorn” myself…)
Today’s resource is the Poetry Unbound podcast. Hosted by Pádraig Ó Tuama, each episode guides you through a single poem.
And now for our prompt (optional, as always). K. Siva Reddy’s poem, “A Love Song Between Two Generations,” weaves together repetitions, questions, and unexpected similes with plain language. The overall effect is both intimate and emotional, producing a long-form meditation on what love is, what it means, and how it acts. Today, we’d like you to write your own poem that muses on love, but isn’t a traditional love poem in the sense of expressing love between romantic partners.
Happy writing!
-
In Case Someone Needs Fire
Some days I walk through myself
like a stranger using the wrong key
I have never belonged to a room
long enough to call it mine
I stand outside conversations
like a chair no one remembers pulling out
even my name sounds borrowed
in my own mouth
But I have watched women carry grief
like it was part of their skeleton
and I cannot turn away
Still, I know the way my mother folds silence
is the same way the city folds its women
My mother taught me how to endure
without ever naming it
I do not trust the world
but I refuse to leave it defenseless
I refuse to abandon it
I do not love people because they are strong
I love them because they are here
I do not love you because you are mine
I love you because no one survives alone
So I keep a match in my mouth
in case someone needs fire.
~ Oizys.
-
Note: I am not usually a writer of love-love, so when I saw today’s prompt I thought, oh, easy. Apparently not. Turns out when the traditional kind doesn’t come naturally to you, the other kinds arrive sideways too... through distance, inheritance, endurance, and the stubborn refusal to stop caring. Anyway, here’s my attempt at a love poem, by my own crooked lights. And I cannot believe we have completed half the challenge already... where did April even go? Also, I wanted to share a resource from my side too: ZinesforFalastin. It feels in conversation with the theme of this poem, so felt right to mention alongside this poem.
Day Fifteen
Welcome back, all! As of today, we’re halfway through another Na/GloPoWriMo.
Our featured participant today is kellysteller, who brings us an Instagram-inspired response to Day Fourteen’s technology prompt (I think I saw that post about the Japanese insect called the “thorny thornless thorn thorn” myself…)
Today’s resource is the Poetry Unbound podcast. Hosted by Pádraig Ó Tuama, each episode guides you through a single poem.
And now for our prompt (optional, as always). K. Siva Reddy’s poem, “A Love Song Between Two Generations,” weaves together repetitions, questions, and unexpected similes with plain language. The overall effect is both intimate and emotional, producing a long-form meditation on what love is, what it means, and how it acts. Today, we’d like you to write your own poem that muses on love, but isn’t a traditional love poem in the sense of expressing love between romantic partners.
Happy writing!
-
In Case Someone Needs Fire
Some days I walk through myself
like a stranger using the wrong key
I have never belonged to a room
long enough to call it mine
I stand outside conversations
like a chair no one remembers pulling out
even my name sounds borrowed
in my own mouth
But I have watched women carry grief
like it was part of their skeleton
and I cannot turn away
Still, I know the way my mother folds silence
is the same way the city folds its women
My mother taught me how to endure
without ever naming it
I do not trust the world
but I refuse to leave it defenseless
I refuse to abandon it
I do not love people because they are strong
I love them because they are here
I do not love you because you are mine
I love you because no one survives alone
So I keep a match in my mouth
in case someone needs fire.
~ Oizys.
-
Note: I am not usually a writer of love-love, so when I saw today’s prompt I thought, oh, easy. Apparently not. Turns out when the traditional kind doesn’t come naturally to you, the other kinds arrive sideways too... through distance, inheritance, endurance, and the stubborn refusal to stop caring. Anyway, here’s my attempt at a love poem, by my own crooked lights. And I cannot believe we have completed half the challenge already... where did April even go? Also, I wanted to share a resource from my side too: ZinesforFalastin. It feels in conversation with the theme of this poem, so felt right to mention alongside this poem.
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