Thursday, April 30, 2026

30th April 2026, after the rain, when the April ends

30th April 2026. 8:30 PM.

It is a different kind of pain. The whole day I was so busy with work, I forgot today was the last day of April. In the few minutes I got between tasks, I scrolled past the same posts on social media: April is ending, May May is kind to us. And then, between one soft farewell to April and another, the news: the Gaza-bound Global Sumud Flotilla had been intercepted in international waters near Crete, its boats seized, its people detained, its attempt at aid folded once again into the old settler-colonial machinery of force. So there it was: people asking May to be gentle, while somewhere on the sea, gentleness was being boarded by armed men.

In the same scroll, I found Coffees for Gaza, asking people for the price of a coffee, which is such a small and devastating unit of measure. A coffee. A coffee: that small office sacrament, that bitter little permission slip to continue. The thing we buy while answering emails, while refreshing dashboards, while telling ourselves we are tired. The thing we hold while answering emails and pretending the world is not on fire. Somewhere, that same amount becomes rice, medicine, a little time, a family not being abandoned completely. This is the vulgarity of distance: our caffeine, someone else’s survival. So, if you can, give one small coffee’s worth away; let it become something warmer than habit.
Well. Finally, after work, in the evening, there was a sudden thunderstorm. Unreasonably justified. Violent wind, lightning, and then an orgasmic rain. It unfurled into something wilder while my mother and I struggled to rescue our clothes from the balcony. Later, my mother brought news from downstairs: the dome over the gate light had flown away, and the bulb had been thrown inward, as if even electricity had briefly lost its manners. Since then, it has been cooler. Calmer. My belly, however, is jealous due to its gaseous nature right now, which is to say, even my stomach has chosen metaphor today. Everything inside me is rearranging itself with unnecessary drama. The rain has stopped now, but the trees are still behaving like they know a secret. The streetlight outside has turned the wet road into something almost holy, which is rude of it, frankly, because I am not in the mood for holiness. I am in the mood for lying down like a historical ruin and being discovered centuries later by archaeologists who say, ah yes, here we see the remains of a woman who answered too many emails. April ended while I was working. NaPoWriMo almost ended while I was working. This feels like betrayal, but not by April. By myself, perhaps. Or by adulthood, that badly managed institution. I spent the last day of a month that asked me to write every day staring at dashboards, messages, tasks, little boxes of urgency multiplying like damp insects. Somewhere in between, people were posting their tender farewells to April, asking May to be gentle, kind, soft, bearable. And I, professional fool, scrolled past them like a clerk at the border of feeling. Only later, when the wind began throwing itself against the windows, did I remember. Oh. Today is the last day. The month is leaving. I had imagined I would notice it properly. That I would sit with tea, maybe. That I would look back at thirty poems and feel something cinematic and clean. Closure, perhaps. A word invented by people who have never owned a nervous system. Instead, there was thunder. There was the sky losing patience. There was rain arriving with the kind of confidence I have only seen in women who have finally had enough. And then, suddenly, coolness. As if the world had been slapped and forgiven in the same minute. I stood there listening to it, and for once, I did not try to make it useful. Not a poem, not a lesson, not evidence. Just rain. Just the last evening of April arriving late to its own farewell, drunk on lightning, smelling of wet dust and bad decisions.

NaPoWriMo is a temporary room. For one month, my little weblog, which otherwise sits like an empty corner of the internet with one tube light flickering bravely above it, becomes part of a village. People arrive. They read. They leave small lamps in the form of comments. They say, I was here. I saw this. I carried this line away. It is the only festival my weblog knows. A strange annual fair where everyone puts up a stall made of drafts and panic, where we bring our unfinished metaphors, our stubborn griefs, our weather reports, our dead, our jokes, our gods, our badly behaved childhoods. We barter words. We trade courage. We taste each other’s strange little offerings and say, yes, this has salt, this has smoke, this burned my tongue a little, thank you. And then, as suddenly as it began, the stalls come down. The room empties. The village goes back to being scattered houses with blue-lit windows. But for a month, there was company. For a month, this empty corner had footsteps and the silence had witnesses. For that, I am grateful.

Maybe this is the correct ending? Perhaps, not a grand summation or some neat little ribbon around the month. Just work, weather, a jealous belly, and the old body continuing its strange negotiations with air. April did not end like a door closing. It ended like a storm passing through a tired city and leaving the rooms cooler than before. And maybe that is enough? Maybe May does not need to be kind. Maybe it only needs to leave one window unlatched, one evening unruined, one small hour in which I remember that I am not only the person who works, worries, digests poorly, and scrolls past tenderness. I am also the person who notices rain. Late, perhaps. But still.

~ Oizys.

NaPoWriMo 2026 [April 30] - Archivists of Lost Girls or, The People Who Remove Childhoods

NaPoWriMo 2026 [April 30]

Day Thirty

Well, it’s happened again. We’ve come to the last day of another National/Global Poetry Writing Month. We’ll be back tomorrow with a final featured participant and some housekeeping details, but in the meantime, congratulations to all who have made it to the end! And if your output has tapered off or been spotty — no worries! The best thing about Na/GloPoWriMo is that every day you write a poem, you get a poem-shaped prize.

Our featured participant today is words with ruth, where you’ll find a complex, tender response to Day 29’s past-and-present prompt.

Our final feature resource is poet and professor Judy Jordan’s YouTube videos covering individual poems and discussing poetic craft.

And now, here’s this year’s final (optional) prompt. In his poem, “Angels,” Russell Edson speaks of these spiritual warrior-messenger-guardians as if they were a type of endangered animal. Brief as it is, the poem is disorienting in its use of flattened diction, odd similes, and elliptical statements. Today, try writing your own poem that discusses a real or mythical being or profession (demons, firefighters, demonic firefighters) with the same sort of musing yet dispassionate tone.

Happy writing!

-

My offering for Day Thirty. My final offering of this year: 

Archivists of Lost Girls
or, The People Who Remove Girlhoods


The people who remove girlhoods do not wear uniforms.
This is one reason they are difficult to report.
They arrive gradually, like mildew, or relatives.

At first, they only take the unnecessary things:
the belief that adults know what they are doing,
the habit of sleeping without strategy,
the blue eraser shaped like a fruit
nobody can identify anymore.

They are careful workers.
They do not remove the whole girlhood in one afternoon.
That would be inefficient and might attract birds.

Instead, they begin with the corners.

A birthday becomes a budget.
A classroom becomes a ranking.
A body becomes a subject
people discuss in lowered voices.

Later, they return for the larger furniture:
the fearless laugh,
the unlicensed hunger,
the talent for asking questions
without apologising first.

By then, the childgirl has usually learned to help them.

She folds her own brightness.
She labels the boxes.
She says,
No, no, it is fine,
I was going to become careful anyway.

There are museums where removed girlhoods are kept.

No one has found them.

Some say they are stored under government buildings.
Some say inside mothers.
Some say they migrate at night in the mouths of street dogs.

The archivists of lost girls work mostly underground.

This is not symbolic.

The rent is cheaper there, and sorrow keeps better without sunlight.
They are a small profession, with poor chairs and excellent handwriting.
Their work involves cataloguing the girls who misplaced themselves
between instruction and obedience, 
between the first blood and the first apology for taking up space.

Each girl is assigned a number, a weather condition,
and one object found near the disappearance.
Ribbon.
Trinkets box.
Library card.
Half a guava.
A sock with the elastic gone.

The archivists do not speculate.
Speculation leads to poetry, and poetry leads to funding cuts.

Instead, they write:
Subject last seen laughing without lowering her voice.
Subject last seen believing the body was private property.
Subject last seen asking why three times in one afternoon.

These are considered high-risk behaviours.
There are shelves for the girls who became useful.
There are drawers for the girls who became quiet.
There is a locked cabinet for the girls who became mothers 
before becoming themselves.

No one opens it without gloves.

The people who remove girlhoods deny everything.
They point to photographs as evidence.
See?, they say. There she is, smiling.
This is considered a strong defence.

At the back of the archive
sits Oizys,
minor goddess of grief, anxiety, and other inherited furniture.

She is not the director.
This is a common mistake.

She is only the woman who stamps each file
RECEIVED
in red ink and sometimes, when nobody is watching,
adds:
STILL BREATHING.

The archivists dislike this.
It is not standard practice.

Hope, like mould, spreads through paper if left unattended.

Occasionally, however, a grown woman will be found
standing in a stationery shop, holding a packet of glitter pens
with unnecessary tenderness.
Or crying because a school bell rang in a movie.
Or buying mango candy from a man on a bicycle
though she has no girl with her and no reasonable explanation.

These incidents are rare but significant.
They suggest that removal is never complete.
They suggest that somewhere inside the adult
a small illegal person is still refusing evacuation.

The people who remove girlhoods are aware of this problem.
It keeps them awake. Not from guilt.
From professional concern.

Once a year, usually in April, a grown woman arrives asking to see her own file.

The archivists are polite.
They offer tea in a cup labelled
EVIDENCE.
They explain that lost girls are not returned to the public
without proper identification.

The woman produces a scar, three unfinished songs,
a fear of raised voices, and the exact smell of her school corridor after rain.
The archivists confer.
This is often enough.

Sometimes, from a box marked
MISCELLANEOUS LIGHT,
they return to her, one laugh, creased but usable.
One question with its teeth intact.
One small, illegal hunger.
The woman signs where indicated.

Oizys watches from the back desk,
chewing the end of a government pencil.

She knows the archive is incomplete.
This is why she keeps writing.

~ Oizys.

-

And a note I wrote to mark the ending of NaPoWriMo 2026: 30th April 2026, after the rain, when the April ends.

Thank you to everyone who read, visited, commented, and left a little light in this otherwise quiet corner of the internet. For one month, this weblog became a village again... noisy with poems, grief, jokes, weather, witness, and strange little offerings. May our paths meet again next year.