Monday, October 6, 2025

October 7. 1 AM.

It’s too late to be awake, too early to be anything else. The building hums with the quiet of everyone else’s decisions... sleep, surrender, silence. My laptop screen is the only thing still breathing in this room. I keep telling myself I’ll go to bed after I finish this sentence, and then I keep finishing new ones. It feels like cheating the clock: small thefts of consciousness from a day that never quite belonged to me.

I woke up to a meagre hike that left a taste in my mouth of a bleak future. The day continued to sour as the crusty scalp became crustier, deepening the headache that came from too many skipped washes. The hours unfolded like a badly folded letter with corners not quite meeting, edges smudged with anxiety. The bank issue resurfaced unresolved, and amid too much work, I couldn’t even gather the courage to pick up their call. I’ve been waiting over a month for that interview that got rescheduled without a date, and after the hike, I mustered up enough courage to type a follow-up email... only to save it in drafts. I dragged myself through the checklist, even doing some extra for tomorrow in case I wake up empty. Later, guilt pushed me to respond to the bank with a typed apology to replace my silence. Anxiety hummed its usual static on the jitteriness meter; I kept imagining what new bureaucratic horror they’ll unfold tomorrow. My only prayer: that I never have to visit the bank physically.

And through all of it, I could feel the paracosm slipping more and more... those little fractures between thought and speech widening until even my own words felt misaligned. It’s annoying as hell, honestly, like my head keeps buffering mid-sentence while the world expects fluent performance.

Breakfast and lunch didn’t happen, so just a bag of salted chips and papaya dusted with more salt was the first meal of the day after I was done with the above by evening. Eventually, I showered and covered myself in lotion, hoping routine might coax the mood into motion... but it didn’t. The skin feels wrong tonight, prickled by the pants meant to comfort. The hike doesn’t feel like growth at all; it feels like pity dressed as progress. I almost thought, why did they even bother?

Today was heavy in the strange way light can be: when it floods too bright, too fast, and leaves you blinking. I tried to keep pace; emails, deadlines, the performative choreography of being fine; but underneath it, there’s this faint static, like something unsaid knocking from the walls of my head. I don’t know if it’s exhaustion or awareness, but lately I feel like a copy of myself running a few seconds behind the real version. Maybe this is what happens when life runs on delay, you end up chasing your own echo. There’s no conclusion tonight, no moral or metaphor waiting to be written. Just the quiet hum of machinery, the ticking cursor, and the taste of old tea that somehow made it through the day. Maybe tomorrow will have softer edges. Maybe not. For now, I’ll let the sentence end before the night does.

(cursor blinks once, patient as ever)

~ Oizys.

OctPoWriMo Day 6. Slippage of Borders // Sarhadon Ki Phisalna [Ghazal]

OctPoWriMo Day 6. Who Controls Our Minds?

How can we use our sixth sense in our poetry? Many great poems start in one place, with one question, statement or idea, but through the writing of the poem, the poet ends up in another place. Follow those instincts. Let your poem leap, following free associations that may not seem to connect at first. Let those gut feelings guide you. We can also connect dream imagery with specific sensory details in the present, using dream symbols to inform our understanding of our poetic themes.

Example Poem: “Strangers” by Philip Larkin from Collected Poems(Aal) by Philip Larkin

Strangers

The eyes of strangers
Are cold as snowdrops,
Downcast, folded,
And seldom visited.

And strangers’ acts
Cry but vaguely, drift
Across our attention’s
Smoke-sieged afternoons

And to live there, among strangers,
Calls for teashop behaviours
Setting down the cup,
Leaving the right tip,

Keeping the soul unjostled,
The pocket unpicked,
The fancies lurid,
And the treasure buried

~Philip Larkin

Does this poem evoke a fear of strangers? With psychic powers would strangers remain strangers? Or are people only strangers because we cannot know what is in their minds? And if we cannot see into another’s mind, can we ever really know anyone?

Prompt: Use similes (comparative phrases using “like” or “as”) to describe suspicions of being controlled by another’s psychic powers. What does it feel like? Why that specific person? What is the experience like?

Possible form: GhazalHow to Write a Ghazal Poem from Writers.com

~

A note before you read: Tonight, I surrender the poem unfinished, not in words, but in language itself. I struggled with this prompt more than I expected. My intention was to craft a proper translation, a delicate blend of Hindi and Urdu (since I’m fluent in neither but familiar with both), once the English draft was done. But, all in vain. I tried all day, between work and everything else, and now, before I go to sleep, I’m just posting whatever I could piece together.

Slippage of Borders

They build embassies of silence in my mind,
trade in secrets, mapped but undefined, in my mind.

Each stranger’s face, a border checkpoint, stamped and signed,
but who grants them passage, me or the wind, in my mind?

A thought flickers like contraband light, confined
within some tiny disputed land, in my mind.

Dreams redraw frontiers while I sleep, aligned
to voices I’ve never met, yet they bind, in my mind.

The cities rearrange themselves when I sleep, aligned
to voices I’ve never met, yet they bind, in my mind.

Tongues grow maps, their whispers through keyholes, polite, refined,
their etiquette colonial, unkind, in my mind.

When I wake, the air smells of foreign rain combined
with tea and something I can’t find, in my mind.

And if every thought is theirs, disguised as mine,
then who signs the treaty at dawn—Oizys, in my mind?

~ Oizys.

Sarhadon Ki Phisalna
(Urdu/Hindi Roman Script)

Khamoshiyoñ kī safārton kā bayān mere zehan mein
Naqshoñ se binā mulk, bas nishān mere zehan mein

Woh raaz bechte hain jo likhe nahīñ kahīñ bayān mere zehan mein,
Unkī bāt har sarhad kā imkān mere zehan mein.

Koi khayāl jhilmil kartā taskaree rōshnī jaisā,
Qaid hai ek chhoti si zāmīn kā nishān mere zehan mein.

Shehr sote hue apnī soorat badal lete hain,
Khwāboñ se milte hain jo armaan mere zehan mein.

Zubāneñ naqsha ugātī hain, darwāzoñ se guftagu hoti,
Tahzīb-e-angrezāna rawayya, ek paimān mere zehan mein.

Subah hotī hai pardesī bārish kī mahek ke sāth,
Chāy ke sāth ghaṛī sa kōī elaān mere zehan mein.

Agar har khayāl un kā hai, merī soorat meñ lipṭā,
To sulah par kaun dastkhat kare—Oizys, nishān mere zehan mein.

~ Oizys.

P.S.: Still tweaking the translation here and there to make it sound truer. Not very proficient, so please, be kind. :(

An after-note: If you’d like to read something along similar lines — another ghazal that somehow came together more smoothly — here’s my piece from NaPoWriMo 2025 (April 8th): Ghazal: A Love in Revolt // Ik Ishq ki Bagawat Main.