september 7th. 1:40 AM - 4:05AM. sunday night - monday morning.

september 7th. 1:40 AM - 4:05AM. sunday night - monday morning.

i try to write and fail. i set in my mind to start a blog post one day covering whatever has happened and then the distance between my set mind and unwilling body becomes larger and larger. fueled by disgusting, dangerous intrusive thoughts; disheveling, deranged maladaptive daydreaming; daunting reality; destructive environments; dull work; and my little, thin, disappointing life choices hitting me from all ways everyday. i keep thinking i will write when my head becomes a little quieter. a stupid bargain. my head has apparently interpreted 'quiet' as an unconstitutional demand. since i was twelve. or ten.

so far, since my last weblog update, nothing big has happened. i have been swamped with work, one coworker with her only true achievement of weaponized incompetence has been a menace trying to maneuver me. an old colleague has come back who would put the former colleague's maneuvers to shame. recently they collaborated to frustrate me to oblivion for a simple task of nomenclature i asked their support for. nomenclature. naming things. apparently we have reached a point in my working life where the naming of things can become a small bureaucratic war. maybe adam had it easy. one of my other coworkers has moved on to another project and we don't talk anymore. no bad blood though. so, i miss her companionship and camaraderie a lot. my manager is... well a manager. present in the metaphysical sense, i suppose. emails exist. meetings occur. managerial substances move through the atmosphere. nothing particularly useful comes out of this weather system. her habit of not paying attention to issues that i escalate and then over-dumping it on me last-minute has been aggravating me.

this coupled with my mother trying to persuade me to apply for jobs my father wants me to apply for and pushing me everyday while i try my best to survive. a job tab open. another job tab open. some examination. some vacancy. some thing father heard about from someone somewhere and therefore it must now become a possibility i am morally obliged to want. i sometimes think half my life has been other people arriving at my door carrying futures for me and becoming offended when i don't immediately crawl inside them.

meanwhile, i have been exploring the depths and scepters of communist-socialist history from USSR, Cuba, Congo, and then whichever country/person/party/split/revolution one footnote throws me into next. because, naturally, one cannot simply read one thing. one thing has a name inside it and the name has a history and the history has a disagreement and the disagreement has fourteen people who despised each other over the correct route towards liberation and suddenly it is 2 a.m. it all started with watching some photographs, speeches, and interviews of fidel castro and che guevara. its so random. my interest was randomly piqued about their friendship. so many people of who only i knew their names and now after reading more and more, i have been gaining so much understanding of the world functioning, society, human oppression, the bizarre plumbing underneath things i had previously accepted as just... things. why certain states like the u.s., israel, france, britain behave[d] the way they did. why certain countries like afghanistan, iran, congo, palestine became laboratories for everybody else's "ideology" and greed. why a person i had once stored in my head as [NAME FROM HISTORY] apparently spent their entire life walking through an argument which has outlived them. how land, labour, money, empire, class, female body, and violence keep appearing in each other's family photographs. 

and there are all these embarrassing little recognitions. 
oh. 
ohhh. 
wait. 
that is what that was? 
and, the more i read and understand, the more there is to know. 

i knew things, obviously. or knew the school books' embalmed versions of things. names in paragraphs. revolutions reduced to dates, countries made into shapes on maps, dead people flattened into two ideological sentences which could be underlined before an exam. and now. now they keep acquiring organs. motives. failures. uglinesses. contradictions. enemies who had enemies who later became friends with somebody's enemies. sometimes i feel terribly stupid. sometimes i feel like i have found a trapdoor underneath the world and instead of climbing through it properly i am crouching there with forty tabs open. 

and then there are things i come across which don't leave me alone afterward. i keep thinking about the letter ayatollah ruhollah khomeini sent to mikhail gorbachev. what a strange historical object to encounter at 1 or 2 or whatever a.m. on a laptop. khomeini writing to the leader of the soviet union in 1989, basically looking at the ideological illness of the USSR while it was still standing and telling gorbachev that whatever he was searching for could not be solved by turning westward and that the problem went deeper, into materialism itself, and then inviting him to look towards islam. there is something almost eerie to me about letters sent towards collapsing things by people who do not yet know exactly what shape the collapse will take. or perhaps they know a shape. i mean, people knew the shape of the collapse of ussr will take. everyone thinks they know the shape. a letter travelling from tehran to moscow. gorbachev receiving it. me finding it nearly four decades later because i apparently cannot read normally anymore.

and samantha smith. oh samantha smith. a ten-year-old schoolgirl from maine becoming frightened of nuclear war and doing the remarkably uncomplicated thing adults somehow make impossible: she wrote to yuri andropov and asked him, essentially, are you going to have a war? why? do you want to conquer us? and he wrote back. then invited her to the soviet union. and she went. eleven years old and she went. her courage, oh. i don't mean courage in that inflated quotation-image way people use the word after somebody has already become safely historical. i mean physically. a little girl getting on a plane and going to the country she had been taught enough fear about to write its leader asking whether he planned to destroy hers. walking around there. meeting soviet children. seeing them as children. allowing herself to find out something by going near it. i think perhaps this is why she keeps needling me. because i have spent so much of my life frightened from stationary positions. i research. i imagine. i rehearse. i construct the entire geography of danger and escape inside my skull and then continue sitting exactly where i was sitting. samantha just wrote the fucking letter. then she went. there is also something unbearable about knowing how enormous the machinery around her was. reagan. andropov. nuclear arsenals. propaganda. governments manufacturing each other into monsters large enough to justify more weapons. then this child entering the thing with the embarrassing question adults had buried beneath strategy: if neither of you says you want war then why are you preparing so enthusiastically for one?

children are humiliating like that. sometimes they accidentally uncover the entire fraud because nobody has taught them yet which ridiculous premise everybody has agreed not to question. maybe, because children have no dignity?

and then, years later, the ussr ends. not even necessarily the grand geopolitical collapse as it usually gets presented to us with flags lowering and maps changing colour and commentators declaring the end of eras. i mean the actual strange administrative lastness of it. here's the transcript hosted on .su. the supreme soviet. december 26, 1991. people sitting in a room and having to conduct a meeting while the state to which the meeting belongs is disappearing. imagine having an agenda for the end of your country. there is something so sickly human about bureaucracy surviving until the final second. a. t. alimzhanov is presiding. there are speeches. formal language. the soviet flag over the kremlin has already been lowered. the first and last president of the ussr has resigned. this enormous political project which contained generations of struggle, revolution, liberation, belief, terror, sacrifice, bureaucracy, war, childhoods, songs, queues, science, prisons, apartments, dead people, living people, millions upon millions of ordinary breakfasts has arrived somehow inside parliamentary procedure. and near the end alimzhanov wishes them a happy coming new year. says they will meet again, if not there then somewhere else. somewhere else. god. then he asks deputy nosov if he wants to speak. nosov does. "dear comrades!" and he says their decisions are illegal and invalid. that only the congress of people's deputies of the ussr has the right to decide them. (noise in the room.) that parenthesis. i just cannot get over nosov'slast cry and the parenthesis. a whole country has reached its grammatical ending and somebody responsible for producing the transcript has to put the noise somewhere, so history receives nosov's last cry and (noise in the room.) then the presiding officer essentially says the meeting is closed. all good. all good! and that is it. how does anything end like this? perhaps everything does and afterward we manufacture the ceremony. i don't know why i assumed the death of a state would know it was the death of a state while it was happening. maybe i expected history to possess better dramatic instincts. thunder. somebody saying the correct final sentence. an orchestra somewhere understanding its cue. but there they were discussing procedure, objecting to legality, exchanging new year wishes. people still had somewhere to go afterward, presumably. coats to put on. somebody must have been hungry. somebody perhaps had plans for new year's. the ussr ceased to exist and everybody still had to get home.

this is the kind of thing that has been happening to my brain lately. history has become less historical the more history i read. which is inconvenient. i used to think time made events solid. now everything seems terribly porous. countries look permanent until suddenly you are reading the transcript of their final meeting. ideologies look like enormous impersonal nouns until you find somebody's letter. the cold war becomes arrows on a map until an eleven-year-old girl goes to summer camp. and people become names until you look too long. then they become people again. terrible development for someone already prone to thinking about everything past the point of usefulness.

which, actually—

there was some new development around the people i was lurking around while i was flailing around the far-left internet and that kept some rooms of my mind occupied and took me in a ride to make me understand more and more of this weird political-internet underbelly i wrote about in the previous weblog. the suspected things, the people, people around those people, organisations, affiliations, accusations, who-followed-whom-before-who-unfollowed-whom, ideological genealogy being performed through instagram stories like some deranged family tree. i am saying development because i don't know what other word accommodates something simultaneously happening outside me and inside my already over-chewed suspicions. and of course every new thing made old things look slightly different. this is the irritating thing about learning. the furniture moves when you aren't looking.

something i dismissed three weeks ago develops a second head because now i know one additional name. somebody's old sentence becomes stranger. a photograph becomes worth staring at. a coincidence becomes either less coincidental or embarrassingly more ordinary. i go back. read again. search again. find another document. now i am staring at the internet like an auntie peeping from behind a curtain except the neighbourhood feud is ideological and half the neighbours may or may not be imaginary.

anyway.

while i have been doing all this extremely important work of becoming a poorly trained online archivist of everybody else's political lives, my own life has been throwing forms at me.

i have been selected for two more courses which i am attending, studying, working, giving exams, preparing capstone projects for every week, an old colleague has returned with a volunteer opportunity to help his organisation and a workshop from which i was rejected has come back to give me a place and expects me to submit a draft within upcoming days. rejection apparently has an appeals court. i don't think i felt any happiness though. not in an ungrateful manner. just exhausted manner. and, so much at once and i just remember my work contract ends the end of this month and i don't know if i want to survive. because surviving means facing the fact that i didn't procure any other work/contract. because surviving means i have to continue here. because surviving means i have to continue taking this humiliation while being a silent casualty of weaponized incompetence of others and ignored management with no one to take my side. because surviving means also facing the fact whether they will increase my fee or not, because the last time they did not increase at all.

and money is such a humiliatingly material thing. i can philosophise myself into dust but rent, salary, fees, contracts, loans, deposits, groceries, bills after bills after bills, bank accounts, applications... they remain stupidly solid and grow bigger. you cannot existential-angst your way into financial security. extremely inconsiderate of capitalism. no?

this month started with my father's birthday. i did not remember that it was until my father sent pictures of his office celebrating and my mother's & sister's wishes followed. mine didn't. i don't know what to do with this sentence so i will leave it there.

the week ended with a scuffle between my mother and my sister over some food my sister and i decided to order on friday night. saturday morning, well i woke up at 3 pm, it was an off day. i felt disgruntled with my mother too so we did not speak much. by the night, i had become sick. the whole day, intrusive thoughts of various unwanted worries and shame-laden memories, voices of abuser people kept assaulting me mentally and at late evening, as i sat to have my first meal of the day, dinner, after a shower, i got my period. perfect timing from the uterus. applause. although i should have predicted but i never learn. shame on me. i tried my best to not throw up and combust due to my headache. and today, my sister left to spend the night at her friend's house and said she will come back tomorrow. my mother was asleep when she left, so she had told me and asked me to pass it on, the message, as she had heard that my mother and i had majorly started speaking while i prepared my lunch. after which mother went to sleep. it was in the late evening when i told my mother and apologized that it had slipped my mind or else i would have said it sooner. she was sitting up and she sat for a minute. i think she wanted to share a look with me to start a conversation. but i delivered the message and quickly turned my head. she left the room. i did not have dinner tonight.

*

anddddd... i finally sit down to write.

some of my old existential angst and dread-like thoughts came back to me as a pang. i think they did the final push and made me start penning. maybe, nowadays, writing begins for me only when something becomes sufficiently unbearable that even maladaptive daydreaming cannot digest it anymore. then my fingers are handed the leftovers. 

i am still stuck in this room, on this chair, on this table, this laptop, this job, this city, this state, this country, this part of the world, this family, this community, this lineage that has made me such a misfit for itself and made sure i will carry this misfit-ness everywhere, in me, if i ever go. sometimes i wonder, if i can, ever? ...go? there has been so much going in my head for a person who has barely gone anywhere. sometimes i think, by now, we can all agree here, i have mistaken thinking about escape for escape itself. researching places. imagining rooms. imagining work. imagining myself walking in streets where nobody knows whose daughter i am. rehearsing the grocery shops. the window. a kettle. some ugly rented mattress. freedom apparently furnished in my head by a kettle. then i return, although i never left, and the chair is still underneath me.

i feel like folding into a crumpled paper, shrivel up to into non-existence. what ever is this life and where did i go so wrong in it? will there be a trial for this? for this cage that i have somehow domesticated myself for? will there be a judge, jury, executioner? what is the punishment for this? or do people who keep withdrawing into themselves eventually become so small in the world's eye that there is nobody left to even pronounce them missing? is that the punishment? if one keeps closing the door, then another door behind it, then another, does the world eventually accept the architecture and stop knocking? how long can somebody hide inside their own boundaries before everybody outside learns to walk around the shape where they used to be? is this how one gets forgotten? slowly enough to be alive for it? is this death?

i think... that is what scares me. disappearance has always sounded to me like an interesting event. somebody leaves. or, somebody dies. or maybe, somebody is lost. there should be a before and an after. but, i guess, there are disappearances which happen quite administratively. incrementally. nobody files anything. you answer fewer messages. your friendships become old chats you scroll through once in six months. coworkers move to other projects. somebody stops telling you something because last time you didn't answer properly. family learns which subjects will receive silence. you stop going out. people stop asking. and then one afternoon you discover the world has very politely adjusted to your absence while you were still technically occupying it. horrible. absolutely horrible. and abhorrent. isn't it?

i try to find life in me somewhere. i feel like i have sucked all my blood dry looking for life within me but alas, i feel i have died within this body. within it, many rooms. and i lied somewhere no one can find me. i keep searching for the dead body perpetually. lost. maybe that is why i keep writing rooms? room inside room inside room. closet acquiring closets. the miseritorial cot. this stupid chair. the same table. the house. the country. oh, this country. sometimes i don't know whether these are metaphors anymore. maybe i have been describing one architecture from different distances. zoom in: skull. zoom out: bedroom. zoom out: family. zoom out: community. state. country. world. somewhere between these scales a very small thing is lying down pretending to research communist history.

me, hello.

maybe i keep acquiring vocabulary because words can enter places my body cannot. ussr. cuba. congo. revolution. exile. struggle. bourgeoisie. liberation. organisation. all these enormous travelling words entering a room where their reader cannot even travel to the next city without first negotiating ten invisible borders. ridiculous arrangement. i know. and still i read.

this must mean something, i suppose. or i want it to. or i am just making it up for the sake of giving this miserable excuse of a blog update a closure. i feel there is still apparently some small scavenger inside the corpse collecting things. a name. a paragraph. an opportunity. another course. a workshop which rejected me and then returned. a volunteer project. some half-written weblog. maybe this creature is life. maybe life is giving it too prestigious a title. perhaps it is simply habit with a pulse.

i don't know. this is important.

sometimes i think of all the versions of me my daydreaming has manufactured and feel embarrassed that they have lived more than i have. they travelled. spoke. argued. loved people. left people. stood on stages. wrote books. had apartments. had political courage. had courage-courage. did revolutions. loved. built. they knew where to place their hands. they knew what to say when humiliated. they did not turn their head when their mother wanted to look at them. they knew when to speak up to their fathers. what a population. and here is their exhausted country of origin. i sit. the problem with imagining so many lives is that eventually your own begins looking like the rejected draft. annotations everywhere. [move.] [say something.] [apply.] [leave.] [eat.] [answer mother.] [finish work.] [become a person here.] and i keep ignoring editorial suggestions from reality. today's was: eat dinner. ignored that one too. i don't know where i am going with this. nowhere, presumably. geographically consistent with the rest of my life. haha! but perhaps i wanted a record that these days happened because days which happen entirely inside one room begin losing their borders. saturday becomes sunday because sleep said so. august becomes september because the computer corner changed numbers. father's birthday happens through photographs sent to a phone. somebody leaves a project and disappears. a contract approaches its end. blood arrives. mother leaves the room. sister goes to her friend's house. history happens magnificently elsewhere and time here passes through notifications.

and i am frightened that one day i will look back and discover i spent years waiting for my life to become sufficiently life-like before participating in it. what qualification does a life require before i agree that it has begun? another job? another city? another room? money? permission? courage? love? acceptance? when? how? why? me? when? i have asked when so many times that the word has become furniture too. perhaps that is what i am doing tonight. inventory. in this sad little store of mine called life.

chair: one.
table: one.
laptop: one.
body: allegedly one.
life: whereabouts unknown.

~ oizys.

The Skin Breaks As The Closet Keeps Acquiring Closets

August 17, 2026, 14:00 PM.

The last entry ended abruptly. Not artistically abruptly, no matter how much I try to poeticise it. And, not even the kind of abruptness one manufactures and later calls an ending because the blank underneath it looks deliberate enough. I wanted to continue because, of course, I had more things to say. But alter[real]ego had me strangled by then, and eventually I did what I almost always do when I am being strangled by something that only half-exists: I stopped. Which is also how most of my daydreams end.

Rarely does the revolution succeed. Rarely does the play receive its thunderous applause, rarely does the imaginary interview reach the devastating sentence I had apparently been building towards for forty-five minutes, rarely do I finish explaining myself to whichever phantom tribunal I have summoned for that day's proceedings. Instead: Mother calls. My sister says something. Manager pings. Father shouts. A door opens. Someone asks where the charger is.Somebody needs something completely reasonable from me. And an entire civilisation disappears.

It is humiliating how little reality is required to defeat fantasy, no catastrophe, no history arriving at the doorstep with blood on its shirt. Just someone saying my name from the other room. Maybe that is why the last entry ending where it did now seems appropriate. My writing has started resembling my daydreaming in form too: elaborate private architecture continually demolished by the banal. Half a room. Half an argument. Half a revolution. Half a self.

A lot has happened since July 22.

This sentence irritates me because every diary ever written after a period of silence probably contains some variation of it. A lot has happened. Meaning: a lot happened and I did not possess the discipline to convert any of it into language while it was happening. And I did think about writing.Constantly, actually. 

Something would happen and immediately another thing would grow around it in my head. A metaphor, usually a weird one. Something involving diseased water, peeled skin, insects, puppet strings, mildew, an organ kept alive outside the body. I would think, I should write that down. Sometimes I would imagine the paragraph so completely that apparently my brain considered the labour finished and saw no reason to involve my hands. Then work. Then daydreaming. Then procrastination. Then work because I procrastinated. Then daydreaming because work had made me miserable. Then procrastination because the daydreaming had consumed the time in which I was supposed to work. A wonderfully self-sustaining ecosystem.

I keep wanting to describe myself as incapacitated, because incapacitated sounds almost medical. Dramatically mechanical, even. One imagines a machine with an important wire cut. It absolves the machine of having to explain itself. But perhaps I am not incapacitated. Ofcourse, I am not. Perhaps I am a stagnant pond desperately inventing diagnoses for why it does not flow.

There were days when I wondered whether I should keep this thing going at all. The blog, I mean. Although "this thing" could comfortably contain several other things too. What is the purpose? I write and then I delay publishing what I write. I think and then I daydream about having thought. I become briefly convinced that writing itself is a political act and then become suspicious that I have only found an unusually flattering description for sitting alone in a room.

The closet drama keeps acquiring closets.

I have spent an unhealthy amount of time in the last few weeks crawling through corners of the far-left internet. "Crawling" is the correct verb because "reading" suggests that I approached any of this like a normal person. I did not. I found one thing, which produced fifty-five tabs, which produced a name, which produced an accusation, which produced a document, which produced another name, which produced fifteen people calling the first person a revisionist and six people calling the fifteen people revisionists and somebody, somewhere, inevitably, calling everybody involved state agents. I had lived a vulgarously sheltered life. Vulgarous is probably not a word. It can be one here. I should put it in my dictionary.

Sheltered not merely in the ordinary sense of having been protected from particular kinds of suffering, although yes, that too. Sheltered in the more embarrassing epistemological sense. My reality had been so tiny and so thoroughly furnished by my own interiority that I sometimes mistook what failed to enter it for what did not exist. There is a particular violence in discovering that reality has been radical without your permission. I want to say familiarising myself with it has been skin-breaking. Not eye-opening. I hate eye-opening. Eyes open every morning and accomplish remarkably little. Skin-breaking. As though the membrane separating the world I understood from the world that had been there all along did not expand politely but split.

And somewhere in these nooks and corners I found things brewing [or appearing to brew; the internet is exceptionally good at making both those conditions look identical] that may be organic, may be infiltrated, may be theatre, may be paranoia reproducing itself through screenshots, may be state interference, may be several of these things at once. I don't know.

This is important: I don't know.

The temptation of this particular rabbit hole is that every absence of proof can begin to feel like proof of sophistication. If something cannot be verified, perhaps that means it has been hidden. If someone contradicts themselves, perhaps they are an operative. If they are too consistent, perhaps they have been trained. Soon uncertainty itself starts wearing a trench coat. Still, some of what I found disturbed me enough that I could not simply close the tabs and return unchanged to my tiny republic of invented conversations. 

There was this guy I used to follow some time ago. He would go on and on about things I could barely understand then. Theory, organisations, betrayals, lines, deviations, histories inside histories. I eventually stopped paying attention. Partly because I genuinely did not understand him. Partly because understanding requires sustained attention, and sustained attention has never stood much of a chance against my own private cinema plus whatever minor interruption reality sends to collect me. My mother called. My sister spoke. Life happened in millimetres. And whatever he was talking about disappeared behind it.

Somehow I found him again when I reactivated my Instagram account. This time I began digging into who he actually was, or at least who the internet claimed he was. Then why certain people called him a revisionist. Then what revisionist meant in the mouths of those particular people, because apparently even accusations have dialects. Then who was accusing whom and from which organisation and according to which historical split and why a disagreement from several decades ago was still alive enough to bite people in 2026. And because rabbit holes reproduce sexually, this led me back to a girl I used to follow too, who made similar content. I started digging into her. Then into the people around her.Then into inconsistencies. Then coincidences.Then posts that looked different after I had learned other things. And now I have a theory. Which I do not trust. That last part may be more important than the theory. She might be connected to something deliberate. She might not be. What I am looking at might be a state operation, might contain one somewhere inside it, might merely have acquired the aesthetics of one after being passed through enough suspicious people, or might be nothing more sinister than the ordinary incoherence of human beings online. There is something terrifying about acquiring a political vocabulary capable of explaining hidden structures, because eventually the vocabulary itself begins asking to explain everything. A hammer discovers nails just like a psychoanalytic patient discovers mothers just like a newly radicalised idiot discovers psy-ops. So now I am trying to learn the difference between becoming less naïve and becoming impossible to convince. I do not yet know where that border is.

Maybe that is what has changed most since the last entry. The private theatre has not disappeared. I still lose hours inside it and I still become someone else with better sentences and better courage and a life conveniently arranged into scenes. But reality has become harder to keep outside the theatre. It keeps entering through the emergency exit. Mother calling. Sister talking.Work accumulating. A massacre or multiple on a screen while I doomscroll to almost-death. A document written decades before I was born.Some stranger's political accusation. A name. Another name. History refusing to remain history. Perhaps interruption was never the opposite of the daydream. It was reality trying, however thinly and banally, to get in.

And perhaps this is what skin-breaking actually does: it does not merely familiarise me with the brutality outside, but it also makes me hyperfamiliar with the wreckage inside which is my broken will, and my almost comically un-goal-oriented life, and the humiliating distance between everything I can now name and everything I can actually do. It is one thing to realise that the world requires repair. It is another to realise that I cannot even seem to get out of my miseritorial cot. Miseritorial. Another word that probably does not exist. A cot that has somehow become both misery and territory. Repair the world? I cannot even reliably leave the house.

Sometimes getting out of this house, this town, this state, going somewhere else and attempting to carve out a shape of myself that I can miserably fit inside feels revolutionary enough. Not revolutionary in the heroic sense. No banners, masses, halts, seizure of anything. Just the extremely pathetic revolution of acquiring a room somewhere else and discovering whether I exist differently when certain walls are no longer around me. I have spoken fervently before about home as a miniature site through which the logic of the state remains alive: authority, obedience, surveillance, punishment, dependence, the regulation of movement, the endless production of permission. I still believe there is something there. But the unpleasant consequence of learning how to intellectualise your conditions is that eventually you become extremely articulate about your cage. You can identify its architecture, trace its genealogy, point to the bars and explain which historical process manufactured the metal. You can write a very convincing paragraph about why the lock exists. And you are still inside it. Maybe that is worse? Ignorance at least allows suffering to remain shapeless. But, once suffering acquires vocabulary, it develops edges. You can walk around it, measure it, compare it against theory, qualify it, find precedents, give it footnotes, and locate yourself beautifully inside structures of domination and understand, with increasing precision, why you have become the person lying motionless in bed. And then what?

Knowledge is supposed to contain some emancipatory promise, right? Naming the thing is supposed to weaken it. Consciousness is supposed to be the beginning of action. But consciousness without access to action can curdle into something else entirely. Fatalism, maybe. A very educated despair. There is a peculiar cruelty in being able to explain the machinery that is crushing you while having no access to the lever that stops it. Worse: sometimes I suspect the explanation itself begins functioning as a substitute for reaching for the lever. Intellectualisation becomes another private theatre. Instead of daydreaming about becoming somebody else, I analyse why I cannot become somebody else. The fantasy has simply gone to university. So the skin breaks and underneath it I do not discover revolutionary muscle. I discover another skin. Then another. And somewhere beneath all of them, apparently, a person who is very tired.

This is where I become frightened of despair not merely as a feeling but as a position. A place one can begin living in. Because despair is strangely comfortable once it manages to convince you that it is realism. It tells you that you have finally stopped being naïve. That hope is bourgeois sentimentality. That aspiration is merely insufficient analysis. That because the structures are enormous and you are small, immobility is the only intellectually respectable response. 

And then you stay in bed. Perpetually giving in starts masquerading as having understood. 

I don't want that. I don't want to become so familiar with the impossibility of things that impossibility becomes the only thing I am capable of recognising. Perhaps this is another border I have to learn: the one between political clarity and fatalism. Between understanding constraint and worshipping it. Between knowing that individual will cannot repair a world and deciding, therefore, that my own will is of no use whatsoever. Because right now even the smallest imaginable escape feels obscenely large. Leave the house. Leave the town.Leave the state. Find somewhere else. Just somewhere else. Earn enough.Survive enough. Become enough of a shape that I can occupy my own life without constantly spilling out of it.

I keep calling these small things because history has made me ashamed of their scale. Somewhere people are organising under conditions I can barely comprehend, people are resisting things vastly more brutal than the domestic claustrophobia I keep converting into prose, and here I am imagining geographical relocation as revolution. But, I hope, scales do not cancel one another. Maybe, getting out is not the revolution. But, I hope, it is simply mine. And, I hope, the danger is not that I have mistaken leaving for liberation. The danger is that I understand perfectly well that leaving will not liberate me completely, and use that knowledge as another reason never to leave.

And then there are the things I had apparently already encountered. This might be the strangest part. Long before this recent political burrowing, I had written about political prisoners. I remember reading about one man in particular [born into an English family, studying Chinese, eventually becoming intensely involved in Maoist politics, went to the University I desperately wanted to go to] and finding his life interesting enough to preserve somewhere in this little archive of mine. I had read the words. I had looked up the history. Presumably I had understood the sentences individually. And yet I don't think I understood them. There are things you meet years before you arrive at them.

You see a person, a word, an event, an ideology and you register it. Maybe you even become temporarily fascinated by it. Then life drags you down five hundred unrelated roads and the thing sits somewhere in the sediment of your head, apparently dead, until one afternoon another tiny piece of information falls on top of it at precisely the correct angle and suddenly the whole buried structure lights up.

Oh.

That is what that meant. I have been having a lot of these ohs lately. Even embarrassingly basic words. Bourgeoisie, for instance. Obviously I knew the word. I could have given you a definition. I had encountered it in books and essays and political arguments, probably nodded solemnly at it dozens of times throughout school and college. But knowing the dictionary arrangement of a word and having the thing it names become perceptible in the world are completely different experiences. For weeks I have been flailing around the far-left internet with what I now realise was often a very surface-level understanding... grabbing terminology with both hands while half of it leaked through my fingers. And then today I watched one video and something clicked. Of course, not everything. I don't think understanding usually arrives like lightning anyway. And that is another fantasy I have inherited: that knowledge, first, enters as revelation, one spectacular and momentary intellectual orgasm after which you are Changed Forever™. I think, most understanding is much more boring than that. Somebody tells you something once and you don't get it. Then you encounter it again six months later and still don't get it. Then you read three pages about something apparently unrelated.Then somebody uses the same word differently. Then you watch a badly edited video at an inconvenient hour. Then five years of miscellaneous information quietly move half an inch inside your skull and suddenly something that had been sitting in front of you all along develops depth. And, comprehension is less an opening eye than erosion. Relentless contact wearing away whatever prevented the thing from entering.

Which means those political prisoners I once read about have begun returning to me differently too. Their imprisonment is no longer merely an interesting historical cruelty I can put in a paragraph and mourn from a safe chronological distance. Once you begin understanding even a little more about what people were organising against, what states believed they threatened, what ideological traditions they belonged to, what kinds of movements existed around them... the biography rearranges itself. Details I had previously treated as trivia acquire political gravity. And this should be satisfying. You know... Sometimes it is. For approximately thirty seconds I get the tiny stupid pleasure of: wow, I understood something. Then, almost immediately, the pleasure rots.

Because every new piece of understanding also reveals the acreage of what I do not understand. How far behind am I? That question has been following almost every intellectual excitement lately. Not merely behind other people [which is already an efficient way of poisoning curiosity] but behind history itself. Behind words I have apparently been using without having really inhabited them. Behind people who reached these questions years or decades before I knew there was a question. Behind my own previous self, even, who occasionally stumbled across something important, looked directly at it, wrote it down, and then wandered away because she did not yet possess whatever neighbouring pieces would have made it intelligible.

It is a strange humiliation: discovering evidence that reality had been trying to teach you things before you were capable of being taught. And that is why understanding rarely feels purely happy to me.Every oh contains another sentence underneath it: How did you not see this before? And then another: What are you looking directly at now that will take you another five years to see?

~ Oizys.

'The' Closet Drama

July 22, 2026. 11:20 PM

What’s a closet drama? Well. It is a play you read. Yes, that’s it. It is meant to be read by one solitary reader. Academics believe that women writers who couldn’t use their ‘voice’ employed this form of art/writing to put forth their political stances. One very well-known practitioner of this form is Margaret, Duchess of Newcastle-on-Tyne (1623–1673), who explored this tool and came to be known as one of the best-known women playwrights.¹

How did I get to know about this? Well, the past few days have been engulfed by maladaptive daydreaming about being a playwright² because the nonprofit organization I work for is doing an event, and it has plays. And yesterday, my manager asked me to conceptualize some endings for a last-minute new play in the line-up.³ She told me today that my endings were nice and hoped the director of the play [also, my big boss] would go for the first one. I liked the last one better, which was co-developed by another co-worker and me. 

Anyway, this set of daydreaming about being a playwright transitioned well from the last set about the mysterious video editor. I was searching for him recently to look up his recent work, and I found out he has been working for this very courageous, anti-establishment, subversive stand-up comedian. My daydreamings faded into him. I have been thinking a lot about his life. You know how the more you trace a person’s life backwards, going as far back as possible to pinpoint at what point they got induced with so much courage to make the choices they make. And you feel that cyclical force between their choices and courage that makes your cowardly brain a little bit cartoonishly dizzy. And when the machine of maladaptive daydreaming takes a break, the interval is occupied by its frenemy, comparison, which just makes you falter until the machine resumes.

Anyway. Whilst this has been happening in my head, the world is burning [still],⁴ and my country has been waking up. My country has been going to the streets. I am anyway a slow person in all aspects, as opposed to this exponentially advancing era. And if you are someone who, after a lot of dopamine struggles, has forgone the tech tools of this era, like Instagram,⁵ then you will understand that I could not grasp the intensity and the importance of this movement happening on the streets around me. But I will never expect, of course, that people condone my [self-?]isolatory cowardice. Why should they... all while they use their bodies on physical sites of fascism to dismantle all the structures of oppression? 

While I am stickied in my half-room, waiting for [more than a month] something to hit me so I could fantasize about becoming the next great literary mogul after I word-vomit in my unindexed Blogspot blog. I am no Emily Dickinson. Although I do have a trunk with some books. And I keep my writings hidden. But not in the trunk.⁶

Anyway. I feel it is impossible for me to be complicit in all of this because I am not morally bankrupt, of course. But my cowardice keeps me from turning my site of complicity into a site of solidarity.⁷ And I also wholly acknowledge that it is not an excuse in a state of fascism. In a state of fascism, if you dwindle around and do not resist, then you are a state apparatus, whether you like it or not.

I tried staying away from everything and just mindlessly slaving away for a morally bankrupt nonprofit that is organizing an event by creatively censoring its feminist politics for a morally bankrupt funder. They are dancing, singing, clapping, speechifying, performing, discussing, panelling. All while, in the city they are organizing it in, people are being arrested, detained, killed, molested, pelleted, beaten. 

By the way, this is the same event I was “invited to” very late, and I didn’t go.⁸ What if I had gone there? Would I have gotten anything done at work, all while being very much aware of the paralyzing ability my awareness has? I mean, any social situation can neuter the social animal in me. Just imagine, just collapsing and flailing. Did I make a better decision by not going? But what if I had gone, and that experience could have thrust me into something entirely different? 

Anyway, these questions do not matter. I mean, they do. But only for intangible feelings like regret, which only materializes to stagnate. 

While I dwell on these useless, mindless debates in passing, and the maladaptive daydreamings run in the background, subsuming my mind and body by nibbling on real life, real life still leaks in. Mother still knocks, and the inner hellish self-doubt–self-surveillance machinery in me keeps looking back at the door while the maladaptive daydreamings ushers me in.

I always draw lines to connect the home being a mini-state, the micro-oppressive bricks that keep institutional fascism alive and kicking. Is it wrong for me to draw parallels between my mother’s sudden descent into religious madness—all while, whenever she talks to me, she cribs about days passing, nights wearing down, and each date being a cross she has to bear—and the collective descent into religious madness in the society around me, as welfare is steadily dismantled while the fascists suckle on shards of democracy and dissent, and the hairy godmen dance around half-naked with sermons full of hatred, misogyny, hypercapitalism, and communal poison.

~ Oizys.

—

¹ Margaret Cavendish was a prolific poet, playwright, philosopher, fiction writer, and essayist who published under her own name. Her works include Poems, and Fancies and the closet drama The Convent of Pleasure.
² One idea that’s been permeating my brain revolves around the dowry-box trunk that my mother brought when she was married off to my father. That is where I store my books. Consider this a pre-emptive footnote 6 reference.
³ Yet again, the banality of my MDD hit me with a sock full of coins because I could not think of anything on my own.
⁴ Iran war latest: Tehran reacts after Trump's power plant warning - as president 'honours' killed troops // Israel is building a miles-long earthen barrier inside Gaza, entrenching its division
⁵ Am I the only one who feels like I am looking at stale, old self-brain-vomit when I go back to Instagram? It has become unscrollable for me.
⁶ For those who don’t know: Emily Dickinson’s profession as a poet was unknown to almost everyone during her life, and the poems we devour today were published posthumously. After her death, her sister Lavinia discovered hundreds of poems, including hand-sewn fascicles and loose sheets kept in a locked chest, with no instructions about what should be done with them. And she was a very productive poet during the Civil War in the United States. So, you get my overall reference. Also, a footnote 2 reference.
⁷ A reference to the previous blog where I quoted Nat Raha. What a hypocrite I am.
⁸ A reference to the previous blog: they asked me so late and tried to spin it as my fault, but I did not allow them.

the salary arrived. so did the sinkhole.

It is Friday, May 15th, 2026.

Five days since I wrote that all roads lead to rot, and unfortunately, the road has not developed better civic planning since then. It is still the same road, same potholes, same suspicious corner, same emotional drainage system clogged with old leaves, shame, salt, and things I should have said in 2017, 2019, 2021, yesterday, this afternoon, ten minutes ago. I would like to report progress, but progress has not submitted its attendance. Maybe it took casual leave, or maybe it resigned or maybe it saw my life and said, respectfully, madam, this department is beyond my jurisdiction. 

Monday began with a training. Technically, my manager was supposed to take it while I assisted her. Technically, I had prepared everything for her. Technically, I had even pushed her on Saturday to prepare, like a fool with hope and basic professional ethics. She did not. Then Sunday night, while I was busy being poor in the quiet and dark, she sent two texts asking me to join early on Monday to help her out. Help her out. Haha. A phrase so small, so polite, so corporate-y, it should come with its own knife. Monday arrived. Like, always. She started the session, and then, with the grace of someone dropping a dead animal at my feet, very conveniently dumped the whole thing on me. Not last minute. Worse. After the minute had already passed. After the train had left. After the public performance had begun and I was standing there with no rehearsal, no consent, and no escape hatch. And then it continued. Monday. Tuesday. Wednesday. Three days of taking a training I had not agreed to lead. Three days of smiling into the camera, arranging knowledge into digestible portions, pretending surprise labour is the same thing as opportunity. Three days of doing everything. There is a special violence in being competent. People discover you can carry weight, and suddenly the weight becomes yours by tradition. Meanwhile, over the past weekend, my salary had not come. Sunday passed like a badly written insult. The banks, displaying their usual talent for comedy without compassion, debited whatever peanuts I had left as a penalty for low balance. Low balance. The account was hungry, so they fined it for being hungry. What a cruel joke. No, not joke. Joke implies timing. This was just cruel capitalism wearing a clown nose and holding a receipt. Then finally, Monday night, after a long day of unconsensual labour, I saw the money had been credited from my organisation. For one stupid second, I felt relief. A small animal lifting its head. Haha. Immediately, the utility bills marched in like creditors at a funeral. Paid. Paid. Paid. The salary arrived and was swallowed before I could even pretend to be a person with options. Now I do not know what to do with the remaining peanuts. Save them? Spend them? Worship them? Put them under a glass case and label them: Evidence of Almost Freedom? Money does this ugly thing where it becomes both survival and accusation. If I save, I am responsible. If I spend, I am reckless. If I buy one harmless thing, the future clears its throat. If I deny myself everything, the present sits in the corner and rots.¹ So here I am, financially adult and emotionally feral, wondering whether peanuts should become savings, food, joy, phone case, emergency fund, retirement fund, temporarily-escape-from-family fund, abandon-my-family fun or proof that I am still allowed to want. And because the universe enjoys garnish, Thursday started with a multi-team meeting. The three-day training was finally over. My face had done its professional smiling. My voice had carried three days of material it was never supposed to carry. My brain was sitting in the corner like a wet towel. Then our director thanked my manager for working so hard and taking the training. Ha. Cute. Cruel cherry on top. There she was, being publicly blessed for labour that had passed through my throat, my screen, my panic, my preparation, my improvisation, my body, my mind, my hands. I watched credit climb the hierarchy like a well-trained monkey. Nobody thanked me. Of course nobody thanked me. What was I thinking? That would have disturbed the seating arrangement of the universe. The senior must shine. The junior must become (un)human infrastructure. The work must appear from somewhere, like office electricity or women’s patience. This is the social work's corporate version of domestic labour: invisible until it fails, inherited when inconvenient, credited to someone else when successful. I wish I could say I was surprised. I was not. That is what made it worse.

Anyway. Because the mind is a strange animal and refuses to suffer in a straight line, Wednesday night I returned to The Law According to Lidia Poët. The trainings were over. The emails had documented their little theatre of stolen credit. My body was tired in that corporate-social-work way where even the bones seem to have attended calls. Finally, I had a little time to myself. So naturally, I used it to become unreasonable about a fictional prosecutor. Jacopo? No. The prosecutor. Pier. Pierluigi Fourneau. Or, as Lidia called him as her "Young Warner". Or her schnauzel. The prosecutor had me hooked. There is something very annoying about being hooked. It makes a fool of all your intellectual furniture. Suddenly I am not a woman with critical faculties. I am a Victorian fainting couch with internet access. I went researching him. Then I watched two of his other films² that night, like a person conducting scholarly work and absolutely not like a woman chasing the aftertaste of one very specific chemistry. The films had charm. They had their own mood, their own appeal, their own little atmosphere. For a while, they worked. Then the spell thinned. Whatever spark I was trying to follow was not really there. Because it was not only him, was it? That is the irritating truth. It was not only the face, the voice, the posture, the period clothing, the courtroom seriousness, the restrained longing doing its quiet damage. It was the charge between them. The particular weather created when Lidia and the prosecutor stand near each other and do not say the actual thing. That has stayed. It has stayed so stubbornly that I keep rewatching their scenes. Again and again. Night and day. Day and night. Like a devotional practice, except the temple is Netflix and the deity is unbearable romantic tension. By now, I know the scenes too well. The dialogues. The pauses. The facial expressions. The music entering at exactly the wrong-right moment. The way one look shifts the entire emotional furniture of a scene. The way a sentence becomes less important than the breath before it. The way restraint can sometimes feel more intimate than touch. The kisses. The looks and smiles. Every rewatch gives me something else. A detail I missed. A change in expression. A hesitation. A small cruelty. A softness pretending to be wit. A look that arrives half a second too late. A silence that does not know how to leave the room. And, yes, the giddy pleasure. The ridiculous private sparkle of it. I know it is fiction. I know it is choreography. I know there are writers, actors, lighting, music, editing, all the machinery of feeling doing its work behind the curtain. I know I am being handled. I can see the strings. Still, I keep offering my wrists. There is something almost embarrassing about how deeply a fictional almost-love can enter the bloodstream. Maybe because it is safe. Maybe because it asks nothing from me. Maybe because nobody in my actual life is looking at me like that... with recognition, challenge, danger, tenderness, and the terrible inconvenience of wanting. Maybe I latch onto shows because they give me scenes my life refuses to stage. In Lidia Poët, even longing has architecture. It has corridors, offices, courtrooms, gloves, lamps, carriage rides, glances. It gets music. It gets dialogue. It gets a face across the room. My longing gets browser tabs. My longing gets a broken phone case. My longing gets me, sitting here after midnight, memorising someone else’s charged silences because my own life has made desire both dangerous and impractical. And yet, I do not want to mock it too much. This tiny obsession has kept me company. It has given my tired brain somewhere beautiful to go. It has reminded me that I am still capable of being moved, charmed, struck, made foolish, made awake. That some part of me still responds to spark. Still recognises chemistry. Still wants the look, the scene, the music, the impossible almost. Maybe that is why it has not faded yet. The other films were charming, yes. But charm is not the same as haunting. Charm passes through the room. Haunting learns your name.

But the trouble with haunting is that it does not stay politely inside the show. It follows me out. At first, it feels harmless. Sweet, even. A little private theatre behind the ribs. A spark. A charged scene to revisit when the actual day has been all training, bills, stolen credit, and corporate digestion. The brain says: here, look, beauty. Look, tension. Look, someone wanting someone with their whole face while pretending not to. And then, quietly, the floor changes. The giddiness starts to rot at the edges. I know this pattern. I know it too well. The attachment begins as pleasure, then turns into comparison, then into lack, then into a pit with excellent acoustics. Suddenly I am not watching a romance. I am standing outside my own life, watching what it does not contain. No one looks at me like that. No one waits for me in a corridor of consequence. No one turns toward me with restrained disaster in their eyes. No one writes my longing into music. By MDD, I mean both things, because of course my brain could not stop at one acronym. Major Depressive Disorder, yes, the official beast with paperwork. But also Maladaptive Daydreaming, its glittering cousin, the one that does not drag me down so much as decorate the pit and invite me to live there. The daydreaming does not feel like imagination then. It feels like teleportation-relocation. One minute I am in my room, and the next I am living inside a scene that has better lighting, better dialogue, better stakes, better tenderness. I build corridors from glances. I extend conversations that never happened. I replay a look until it becomes a country. And for a while, the body loosens its grip. The real world thins. My actual life goes quiet in the background like a tab I forgot to close. That is where the DPDR slips in. Depersonalization-derealization disorder. Not as a separate disaster, but as the bill for leaving too often. The more inhabited the daydream becomes, the less inhabited I feel in my own body. My hands become props. My room becomes set design. My face becomes a character I vaguely recognise but do not fully own. The fictional world gains texture, and my real world loses temperature. And then the MDD, that old bureaucrat of the soul, opens its files. It begins gently, almost reasonably. See? This is what life can look like. This is what desire can do to a face. This is what aliveness looks like when properly lit. And now look at you. Look at your room. Look at your unread messages. Look at your body. Look at the broken phone case. Look at the salary that arrived only to vanish into bills. Look at the Saturday already being trespassed upon by work. Look at the years. Look at the stuckness. Look at the absence. Depression has never needed originality. Repetition is its main skill. Then the DPDR enters like bad fog. The world gets a pane of glass over it. My own hands become slightly theoretical. My face in the mirror looks like someone I have been assigned to maintain. The room becomes too flat and too far away at the same time. I can hear myself thinking, but from another room. I can move, answer, type, drink water, exist, but existence feels like a badly dubbed film. And the show becomes more real than me. That is the humiliating part. A fictional almost-touch has more texture than my actual evening. A glance between two actors feels more inhabited than my own body. Their silence has gravity. Mine has dust. Their longing has editing, music, consequence. Mine has tabs open and a mild headache. So I keep rewatching, partly for pleasure, partly for proof. Proof that I can still feel. Proof that somewhere inside the fog, the signal has not died. But every proof becomes evidence against me. If I can feel this much for a scene, why can I not feel properly inside my own life? If my chest can tighten because two fictional people stood too close under warm lighting, why does my actual future feel wrapped in plastic? If desire still lives in me, why does it have nowhere to go except a screen? This is how the sinkhole opens. Not dramatically. Not with a scream. Just one more rewatch. One more scene. One more detail noticed. One more minute of being pulled toward a life with movement, stakes, beauty, and someone across the room who sees you as both problem and possibility. Then I pause the show. And my own room returns. My own life returns. The same arrangement. The same stuck furniture of the self. The same body I keep trying to inhabit like rented accommodation. The same old fear standing at the foot of the bed, asking if I enjoyed my little outing. This is why I both love and fear these attachments. They rescue me. Then they show me what I needed rescuing from. They make me feel alive. Then they make my life feel unlivable. They pull me out of numbness. Then leave me with the full bill of having been numb. And I know this sounds excessive. I know sane people watch a show, enjoy the chemistry, maybe make an edit, maybe send a thirsty message to a friend, then proceed with their lives like emotionally regulated mammals. I, meanwhile, open one fictional door and fall through the architecture of my entire deprivation. Very normal. Very casual. Five stars. Would dissociate again. I do not escape reality. No. Never. I just return to it less assembled.

Anyway. The phone case is still broken. Of course it is. It has become one of those stupidly faithful objects that stays because I do not have the courage to replace it with something honest. A cracked little witness that's ugly, loyal, safer than confession. I keep thinking about the sapphic flag phone case, still. Not constantly, not dramatically, not like a heroine pressing a forbidden letter to her chest under moonlight. More like an app running quietly in the background, draining battery. A small wish. A small colour. A small yes I keep refusing myself because in this house where I reside, even colour can become evidence. A phone case is never just a phone case. It is a trial waiting for a prosecutor.³ Who bought this? Why this colour? What does it mean? Where did you see this? Who told you? Why are you becoming like this? Since when? Because families are very modern until your object begins to speak a language they did not approve. Then suddenly everyone becomes archaeologist, police, priest, and unpaid detective. So the broken cover stays. The safe thing. The ugly thing. The thing that says nothing and therefore survives. Just like me. I am ugly and I say nothing. And, unfortunately, I survive. I wish I were less good at surviving. This is a terrible thing to say because survival is supposed to be noble. Women are fed this word like jaggery wrapped around medicine. Survive. Adjust. Manage. Endure. Be strong. Be mature. Be practical. Be grateful it is not worse. Be glad you are educated. Be glad you have work. Be glad nobody has chained your ankle to the bedpost. Be glad the cage has wonky Wi-Fi that doesn't work only for you so you have to buy your data separately. And I am glad, sometimes. I am not completely foolish, you know. I know the world is brutal, and I know there are worse rooms, worse fathers, worse mothers, worse brothers, worse sisters, worse uncles, worse aunts, worse silences, worse locks, worse oppressors. And, I know comparison is the national sport of emotional invalidation. Still, knowing other people are drowning in deeper water does not make your own lungs decorative. I am tired. Not beautifully tired. Not aesthetically tired. Not poet tired. Not the cinematic kind where a woman removes one earring and looks devastating under yellow light. I am tired in the spreadsheet way. Rows and rows of small unfinished things. Cells filled with pending. Useless colours marking them pending. Body pending. Courage pending. Departure pending. Desire pending. Honesty pending. Future pending. Life pending. There is something obscene about being mid-twenty-something and feeling already archival. Like I am not living, have never lived, but only preserving evidence for a case no court will ever hear. 
Exhibit A: the broken phone case.
Exhibit B: the body that alternates between hunger and punishment of embarrassment when I do eat.⁴
Exhibit C: the tabs I keep open as if research can become rescue.
Exhibit D: the private list of things I will do when I leave.
Exhibit E: the sentence, when I leave, carrying the entire weight of a religion.⁵
But what if I do not leave? There it is. The honest rot laid bare under the decorative moss. What if I do not leave? What if the box of things I will do when I leave becomes a pathetic, loser museum of the woman I kept postponing? What if all my rebellion remains beautifully theoretical, well-written, occasionally funny, and completely unusable in this stupid head of mine and a copy of it here, in this weird little corner of the world wide web? What if I keep becoming more articulate about the cage and never actually become less caged? I hate that question because it has no manners and it shamelessly enters without knocking and sits on my bed. Today was not even dramatic enough to justify all this. That is the insult. Nothing happened. No grand fight. No cinematic breakdown. No one said the cruel line that would make a clean villain of them. The day simply passed over me with its usual dull hands. Work, phone, food thoughts, body thoughts, tabs, messages, heat, humidity, perpetual fatigue, my mother's devotional songs, the faint humiliation of still being myself in this rotting flesh. Maybe that is why I am writing. Like always. Because nothing happened, and still I feel like I survived something tremendous. Maybe the event is not always external. Maybe sometimes the event is waking up inside the same life and not immediately turning into stone. I keep thinking of Lidia Poët again. Not just the law, the fight, the forbidden rooms. Of course, that is the central point, though. I keep thinking of her forward motion. Even when she suffers, the story lets her move. Or, more aptly, she moves her story forward. She enters rooms, she argues, she demands, she fights, she risks, she desires, she loves, she fails with choreography, and she still continues. Her world resists her, yes, on this screen, it gives her scenes. My life, by comparison, feels like a loading screen. A buffering woman. A spinning circle wearing moisturizer. 

And yet, beneath all this melodrama, some tiny stubborn thing remains alive. Annoyingly alive. Cockroach alive. Government-office-file alive. It keeps making lists. It keeps saving poems. It keeps laughing at terrible jokes all alone in the small, dark room. It keeps wanting pizza, sea air, impossible softness, a room with a lock, a body that is not treated like a public institution, a love that does not require a courtroom, and one ridiculous phone case in colours nobody is allowed to interrogate. This, I suppose, is hope...? Not the clean kind. Definitely, not. Not the motivational-poster kind, either. Not the “everything happens for a reason” kind, which should be banned and replaced with free snacks. My hope is smaller and more suspicious. It looks like keeping the browser tab open. It looks like drinking water after punishing the body. It looks like writing the sentence even when the sentence is ugly. It looks like admitting I want things. It looks like not mocking myself immediately after admitting I want things. Okay, fine, it looks like mocking myself only a little. At 20:55 PM, I am still here. Still stuck. Still carrying home inside me like contraband. Still afraid that my life is not a phase but the whole arrangement. Still saving possible selves in invisible carts. Still not buying the phone case. Still wanting it. Maybe that matters. I hope, it matters. Wanting. Even wanting badly. Even wanting secretly. Even wanting in a house where desire must learn to move like a shameful thief. Rot is still here, yes. But maybe rot is not the only thing loyal to me. Maybe want is loyal too. Maybe the little sapphic flag in my head, the one I have not bought, the one I have not allowed to become plastic and visible and stupidly real, is not only fear. Maybe it is also proof that some part of me still knows colour. Still recognises itself. Still presses its face against the shop window of the future and says, very quietly, not yet, but mine. Not yet. But mine.

As I write this, she, my manager, has texted again. After work hours, of course. Respecting time would be too vulgar, too modern, too dangerously close to recognising me as a person. Some work needs to be done ASAP. As she had already promised it. Naturally. ASAP: the social work's corporate mantra of poor planning, passed down from one panicked person [usually the manager] to another [the underdog] until it lands in the lap of whoever [mostly, the underdog, again] has the least authority to refuse. The funny part is, it is not even my job. Not really. But somehow the inconvenience has found my address. Now I will have to either ask the concerned person humiliatingly late at night, as if I am the villain in their Friday, or ask tomorrow, on an off Saturday, and become the tiny unpleasant notification in someone else’s weekend. This is how bad management spreads its shame. Someone does not plan. Someone does not prepare. Someone does not communicate. Then the failure travels downward, wearing urgency as perfume the gives you a migraine the moment it hits your nostrils, until the most junior person is left holding a burning plate and apologising for the smoke. I hate this part most: the forced borrowing of another person’s time. I hate that I must become the messenger of someone else’s chaos. I hate that I must sound polite while carrying a request I do not respect. I hate that my options are either to inconvenience someone else or absorb the inconvenience into my own body, which is apparently where all unclaimed work goes to die. There should be a word for this. Not burnout. Burnout sounds too final, too respectable, like a candle in a poem. This is more like being nibbled. Tiny bites of time. Tiny bites of rest. Tiny bites of Friday evening, Saturday morning, salary, self-respect, appetite, softness, desire. Nothing large enough to make a case. Everything small enough to be dismissed. Just do this once. Just check once. Just ask once. Just join early once. Just help out once. Just manage for today. Just stretch a little. A whole life can be stolen in “just.” And I know what will happen if I say no. Maybe nothing dramatic. Maybe no punishment anyone can screenshot. Just a change in tone. A slight coolness. A note in the invisible ledger. Not a team player. Not proactive. Difficult. Uncooperative. Needs attitude adjustment. The old words wearing office clothes. So I sit here, at 23:25 PM, writing about being stuck while the proof of stuckness arrives in real time. A message on my phone. A task outside my role. An urgency I did not create. A Saturday being quietly dragged toward sacrifice. And me, still deciding whether to obey, delay, soften, apologise, resist, or perform that sophisticated modern dance called “setting boundaries” while standing on a floor made entirely of consequences. Maybe I will reply tomorrow [that being, Monday]. Maybe I will say, “I’ll check this during working hours.” Maybe I will type it bravely and then stare at it like it is a bomb and then erase it. Maybe courage, for tonight, is not sending the message immediately. Maybe survival is letting one ASAP remain slightly less ASAP. Maybe rebellion begins as a notification left unread. Actually, I read it. Or maybe I am romanticising avoidance because I am tired. Both can be true. Most things that keep me alive are morally untidy.

~ Oizys.

¹ This too echoes: “The less you eat, drink and read books; the less you go to the theatre, the dance hall, the public house; the less you think, love, theorize, sing, paint, fence, etc., the more you save-the greater becomes your treasure which neither moths nor dust will devour-your capital. The less you are, the more you have; the less you express your own life, the greater is your alienated life-the greater is the store of your estranged being.” ― Karl Marx and Friedrich Engels.
² The Mascarpone Collection.
³ Good reference.
⁴ An addendum for Exhibit B: A Hunger Artist by Franz Kafka.
⁵ An addendum for Exhibit E:
When I leave, I will buy the phone case.
When I leave, I will breathe normally.
When I leave, I will decorate myself without fear.
When I leave, I will not explain every harmless thing like it is a crime scene.
When I leave, I will become the version of myself who exists without whispering.

Job hunting is a full-time job that doesn’t pay

I am sitting with my laptop, 47 tabs open, 3 different browsers, reading another “dynamic self-starter” requirement. I’ve been applying to so many jobs lately;  obsessively, exhaustingly, methodically; and the silence in return has been deafening. Negligible callbacks. No feedback. Just form rejections or, more often, nothing at all. Every application feels like bottling lightning with a cover letter. I keep rewriting my story to fit a box someone else built. I keep telling myself, “You’re not lazy. You’re in limbo. And limbo is a battlefield.” What does one even do to get a job anymore? Apply? Network? Manifest? Beg? Burn sage? 

As a certified daydreamer, I sometimes stumble upon a job listing that feels like it was written for me, like the universe whispered it into existence. And I let myself believe.

I imagine the version of me who gets it: cool, confident, caffeinated. I reshape my identity around the role. I draft mental tweets about the work I’ll do.

And then? Silence. Not even a polite no. Just the usual ghosting. Rejection doesn’t just hurt my chances. It hijacks my identity. I start asking not “Am I good enough?” but “Am I anything at all?”

I do this monthly, by the way. Like a ritual. Spot the dream job, fall in love, get ghosted. Repeat.

And in this sacred cycle of self-inflicted heartbreak, I haunt the LinkedIn profiles of people who did get those positions. I compare and contrast their every achievement, line by line. I zoom into their credentials, the photos, the internships, the polished summary paragraphs.

I make mental notes of where they went right... and where I must’ve gone wrong. It’s not envy, exactly. It’s more like academic grief. A post-mortem of opportunities that slipped away.

What is a job? A paycheck? A place to put your brain on weekdays? A badge of worth? Why does it feel like I’m chasing a ghost version of myself in a blazer and imposter syndrome?

There’s no safety net. Just this quiet panic under my skin. Hopes and dreams feel like they’re flying farther away from me each day. Some mornings, it feels like my competency is slowly leaking out of my soul.

But... The waiting, the rejection emails with no feedback. Talk about interviews that felt like interrogations. Or worse, hope-laced silences. And then I scroll through another “I’m thrilled to announce…” post on LinkedIn, with a sad, lumpy blob of jealousy rising in my throat like bad tea. I want to be happy for people (and I usually am!) but some days it stings. I feel like I’m getting erased while the algorithm cheers someone else on.

That exhaustion from LinkedIn (LinkedIn is an unnecessary evil, by the way!) trenches or getting ghosted by HR has been teaching me so much. I’m learning that job hunting is less about skills and more about performance. How well can you mask exhaustion with enthusiasm? How many times can you pitch yourself before you forget who you’re selling? How long before “professional” starts meaning “emotionally numbed but high-functioning”? There’s this impossible bind. Be ambitious, but don’t burn out. Work hard, but rest. Hustle, but heal. I feel like I'm always choosing between being well and being seen. And if I dare to pause, it feels like the world moves on without me. Reading most job descriptions now feels like reading aspirational fiction. I don’t even need to feel guilty about not reading books anymore. 

Sometimes, I feel like my real dream job is the one where I wouldn't need LinkedIn. A role where I could show up as myself, not a clickable summary. Where I’m not forced to compress my soul into a headline. No “culture fit,” no personal brand. I don’t want my life to be reduced to KPIs and key deliverables. I want work that lets me breathe. Just real work with real meaning, without having to turn myself into a walking pitch deck. I’m not asking for ease. I’m asking for respect. And honestly? Rest shouldn’t feel like a rebellion.

I keep hoping side projects count (even anonymized poetry that nobody knows about!). But, my question is: why is “the right job” feeling like I am applying to be someone else? the right job should feel like recognition, not reinvention, right? This is exactly the marrow of the modern job hunt: we are not just searching for work, you’re clawing for dignity in a system that doesn’t even remember we exist. The modern job market isn’t built for poets or dreamers. It isn’t built for thinkers. Or for care. It was built for efficiency theatre, the kind that rewards polish over potential and pedigree over passion. No, it’s not a meritocracy. It’s a visibility contest: loud, relentless, and deeply unfair. It favors the glossy, the networked, the already-known. And those of us who are real? Who bring depth and devotion? We’re made to feel like we’re “too much” or “not enough,” never the right shape for the job-shaped hole.

Some days, I feel like I’m grieving the version of myself who could’ve done so much, if only the world had noticed. If only systems weren’t so rigged. If only potential mattered more than packaging. I’m not loud. I’m not always "on." I don’t speak in bullet points or market myself like a brand. But I show up, I think deeply, I care hard. It’s just that no one seems to notice unless you shout. And, as usual, shouting doesn’t come naturally to me.

I don’t know what the dream job is anymore. I’m still looking. I’ll keep applying, yes. But I’m done apologizing. The job is not to chase jobs. The job is to build a life. Job applications are a tool. Not the temple. I’ve decided to stop shrinking to fit. I’m done editing my soul to sound more like synergy. Whoever hires me next doesn’t just get my labor. They get my loyalty, my integrity, my fire. And, I've decided to interview jobs as much as they interview me. Until then, I’ll keep writing. I’ll keep dreaming. And I’ll keep becoming the version of me that doesn’t need to be picked to matter.

Here's the context behind the urgency: I just switched jobs this year. I ran; ran; from a soul-sucking, peanut-paying corporate job that drained the joy out of everything. I thought I had made it out. I joined the social sector. First month? Euphoric. I felt like I could breathe again. But then... the cracks. Salaries delayed. People started leaving. Then the firings began. The office turned into a ghost town. And I’m stuck again: overworked, underpaid, overwhelmed. And it’s scary. Burnout isn’t a side effect anymore, it’s the entire atmosphere. I’m tired before I even start my day. Rest feels illegal. Rest feels like laziness. Rest feels like losing. We’ve normalized being stretched thin like it's ambition, but really, we’re just running on hope fumes and broken sleep. And honestly? The grief of working in the nonprofit world hits different. It’s heartbreaking. It’s lonely when you didn’t come from a utopia-coded progressive uni or have the ‘right kind’ of pedigree. Trying to find a fair-paying nonprofit job feels like breaking into a club where the bouncer keeps telling you your vibe is too real. Meanwhile, the cause is real, the stakes are real but the support? Nowhere to be found. It’s wild how even purpose-driven spaces expect you to martyr your sanity for pennies. I thought nonprofit meant values-first, but it feels like capitalism wearing an empathy costume. The mission is noble, but the machinery is broken. And I’m caught in the cogs. 

I think part of the problem is that I never really had a “dream job” in the first place. Not in school. Not in college. I was too busy studying, trying to survive, or writing lonely poetry in the margins of my notebooks. I didn’t dream of corner offices or five-year plans. I didn’t grow up dreaming of a title or a salary. I dreamt of being seen. Of not feeling invisible. Of not being lonely. Of doing something that didn’t make me feel like a background character in my own life. Of having a life that made sense. We were sold a linear fantasy, but the world zigzagged. The real dream isn’t a job title, it’s dignity, it’s meaning, it’s waking up without dread clawing at your chest. The right job shouldn’t make you shapeshift; it should recognize you already are the shape. It should feel like resonance, not reinvention.

Sometimes I feel haunted by a future that was built for me by other people. As kids, we’re spoon-fed this shiny, linear story: study hard, get good marks, pick a respectable job, climb ladders, get promotions, buy property, smile in family WhatsApp groups. The “good life.” But I don’t think I ever wanted that future. Not really. While everyone else was dreaming of MBA programs and big company perks, I was secretly imagining that some rich, mysterious publishing house would stumble across my lonely little blog and offer me a book deal. I dreamed of writing barefoot in cafés in Scotland. Of giving readings in bookstores that smelled like old paper and ambition. Of wandering around the UK on a budget and a prayer, soaking up rainy streets and secondhand stories. I didn’t want a career. I wanted a life I could feel inside my body. But then came the expectations. The "be practical" warnings. The polite discouragement dressed as love. Slowly, I started shelving those dreams, one by one, to make room for a future that felt safe. Probable. Professional. Predictable. And now I sit here, years later, wondering if those dreams are still waiting for me somewhere, or if I buried them too well. Maybe that’s why job hunting feels so violent. It’s not just work I’m chasing, it’s a life I never gave myself permission to want.

Maybe that’s why the job search feels so personal. It’s not just about getting paid. It’s about asking, “Is there a place in the world for someone like me?” And when the answer is silence… it stings deeper than we let on.

Everyone says “impact over income” until the rent’s due. They still follow the same tired meritocracy myths. Fancy degrees and elite circles? Still the key to the door. Passion? Lived experience? Grit? Not on the job description. It’s not about values. It’s about proximity to prestige.

Sometimes, I put in so much efforts while applying for jobs. I’ve sent my soul with my resume... and they still ghost me like I sent them spam. (Also, no. I don't want to write a 500-word highly-tailored cover letter for your excel job. It's a job application, not an odyssey. I am NOT a culture fit and that's a compliment!) But, they all feel like a silent scream in a crowded room. I feel like people make a huge fuss about ATS or AI or AI ATS or whatever. Like, I can say: “I have 7+ years of experience in breathing,” and still will make the ATS (or, won't... I don't know!). And, those entry-level roles requiring 10 years or the unpaid trial projects? We all joke to cope, but that laughter is doing the heavy lifting of grief because beneath that is fatigue. And fear. And a constant rewriting of our self-worth. The job search itself is unpaid labor. Emotional labor. Cognitive labor. Soul labor. Sometimes, I apply to a ton of jobs, diligently, completely. I burn through tabs and tweak resumes until I can't see straight. Then I pause. I wait. I tell myself, “Let the responses come.” But they don’t. And while I rest, the listings keep moving, the deadlines pass, and I miss out on those. I sit there with nothing but silence (and shame...). And slowly, I just… give up. Not forever, but enough to feel like a failure in limbo.

We call it “looking” but really we’re building a full-time brand campaign for ourselves, for free! No one sees the spreadsheets. The follow-ups. The cover letters that take pieces of our souls from us. No one counts the time spent watching hope slip through algorithmic cracks.

There are moments where I’m pumped, eyes wide, heart racing, excitedly applying to jobs that feel right. The kind of roles that make me whisper, “Maybe this one. Maybe finally.” But that hope? It gets shattered. By a nonresponse. Or a generic, polite rejection. Or just my own self-doubt, circling back like an unpaid intern whispering, “Who do you think you are?” The crash after the high is brutal. Like sending love letters into the void and getting echoes back in Times New Roman.

I am not desperate. I am discerning. And that’s my new job title. Sometimes, I even feel guilty for thinking about what kind of job would suit me. Like I should just be grateful for whatever comes my way. Everyone says, “Just be grateful someone’s hiring.” But grateful for what? For burnout? For unpaid test assignments? For having to beg for dignity in exchange for labor? Gratitude without boundaries is exploitation. And, I’m bound by family expectations, by society’s timelines, by this blurry, unpredictable future. I’m scared to dream too specifically, too selfishly. And then there’s that cold jealousy towards people whose jobs make sense, whose paths look linear. It’s not that I want their life. I just want mine to stop feeling like a question mark.

I keep wondering: if I’m doing everything “right,” why does everything feel so wrong? Why do so many brilliant, kind, competent people end up in the waiting room of their own lives? And why does getting a job feel like being picked for a secret society, not a role? So many like me are stuck in a waiting room to live our lives. Just sitting there, waiting for a “good job,” a well-paying one, or any escape hatch far from home. We tell ourselves: once that job comes, then we’ll start our life. Until then? Our careers feel reserved for the frosted-glass club chilling at the top, while we pace below, carrying portfolios and hope like offerings. You can be both highly skilled and unemployed. But, where do the unchosen go? And what about goals? What are they? What are mine? Aspirations? Needs? Life? What even is the plan anymore?

If you’re out there job-searching too, still reshaping yourself for job listings, still whispering "maybe this one": You're not alone, this post is for you. You’re not failing. You’re enduring in a system designed to wear you down. It’s not that you’re not trying hard enough. It’s that the effort has become unsustainable. And you’re still standing. Still sending hope notes into the void. Still dreaming despite the ache. You're not lazy. You're not lost. You're just in limbo. And limbo is a battlefield.

Okay, I have to go and write a six-page research note for a job application, formatted to impossible perfection because nothing says overqualified, underpaid, and barely surviving capitalism like being expected to smile in Arial 11.

- Oizys, currently emailing cover letters into the abyss.

Somewhere Between the Breach and the Body — Soft Rot / The Price of Pretending

April 15, 2025 11:41PM - April 18, 2025 13:51PM

Soft Rot

Hi. I don’t really know how to start this, except to say that I’m tired. Not just "didn’t get enough sleep" tired — more like soul-tired. The kind of tired where you sit in silence and hope something inside of you wakes back up.

Lately, I’ve been pretending a lot. Smiling at the right times, saying “I’m good!” when people ask, answering emails like I’m a machine instead of a person. And I don’t even think I realized how much I was pretending until I sat down just now and started typing. The mask is heavy, you know? It’s real heavy.

There’s this low hum of fear under everything lately — like I’m waiting for something to break, or maybe it already has and I’m just the last to notice. I keep asking myself, Is this just what being an adult is? Constantly holding it together with duct tape and good intentions?

And also, here’s the weirdest part: underneath all of that, I still have hope. I don’t even know where it’s coming from. I just… I want more. I want rest. I want to feel like I’m allowed to fall apart without the whole world crashing down with me. I want to believe that it’s okay to not be okay, and that not being okay doesn’t make me weak, or dramatic, or broken.

I’m writing this, I think, because I need to hear it from myself. That I’m still here. That I’m still trying. That showing up — even in this messy, trembling, unsure way — still counts.

Some days, I feel like I’m doing everything just enough to not fall behind. I’m replying to things. I’m showing up. I’m getting dressed most days. But I’m also zoning out mid-conversation, forgetting what I walked into the room for, and crying during toothpaste commercials.

Which, okay — maybe the dog did get adopted and that’s objectively beautiful; but also maybe I’m not okay.

I keep thinking about how everyone’s out there doing things. Running businesses. Raising kids. Writing books. Taking trips. Posting photos with glowing skin and open windows and plates of food that don’t look like cereal at 9 p.m. I’m here trying to remember if I paid that one bill or if that weird noise in my car is a metaphor.¹

There’s this version of me I keep hoping I’ll “get back to.” The one who was energized. Clear-headed. Motivated. The one who didn’t second-guess every decision or feel like the ground might just disappear under her feet some days. But maybe that version is gone. Or maybe she was never really real, just a highlight reel stitched together from better lighting and fewer breakdowns.

I think that’s the scariest part: not knowing what’s normal anymore. Like, is it normal to be this overwhelmed by existing? Is it normal to feel like you’re too much and not enough in the same breath? Is it normal to look in the mirror and not recognize the person blinking back?

And still. Still. I want to believe in softness. In resilience. In mornings that start slow and coffee that tastes like hope. I want to believe I’m allowed to be this version of me — unfiltered, unraveled, unsure — and still be worthy of love. Of belonging. Of good things.²

Because maybe surviving is enough. Maybe telling the truth is enough. Maybe this — this messy, footnote-riddled post — is the most honest thing I’ve done all month.

I used to think if I could just figure it out — the right system, the right routine, the right number of steps in my skincare — then everything would click. That peace was some kind of prize you won after optimizing your calendar and drinking enough water.

Spoiler: I am very hydrated and still feel like a disaster.

I think I’m grieving something I can’t quite name. Not a person. Not a place. But maybe a version of the future I thought I’d be living by now. The imagined life I kept dragging behind me like a blueprint I forgot how to read.

Is it normal to outgrow your own dreams?

Sometimes I catch myself fantasizing about starting over. Just—poof. New city. New name. No unread emails. No mental clutter. Just wide-open mornings and a sense of possibility. But then I realize: I’d still be me. I’d still bring my overthinking, my fears, my stuff.

So maybe it’s not the location that needs to change. Maybe it’s the way I talk to myself.

I don’t know how to be gentle with me. I know how to push through. I know how to carry things. I know how to be “fine.” But gentleness? Grace? That’s a language I’m still learning. And damn, it’s hard.³

And yet. I'm here, aren't I? Still choosing to try. Still showing up in this small, quiet way — by putting words to a feeling I’d much rather bury. That counts for something. I think it has to count for something.

I want to believe it does.⁴ 

I used to think I had to earn rest. Like I needed to cross some invisible finish line before I could sit down and breathe. But the finish line kept moving. Every time I got close, it shifted a little farther away, whispering, just one more thing. And I believed it. I kept running. 

Even when my body said stop. Even when my mind was unraveling like a thread pulled too tight. Even when all I wanted was to lie on the floor and feel something that didn’t hurt. I’ve gotten really good at disappearing without anyone noticing. Smiling with my eyes empty. Responding quickly so no one worries. Posting something light so people assume I’m fine. But inside, it’s loud. It’s chaos.

And I’m so tired of hiding in plain sight.

Somewhere along the way, I picked up this idea that I’m only lovable when I’m useful. That my worth is measured in output, or helpfulness, or how easy I am to be around. I don’t even know where that started. But it’s sunk deep. Like a root wrapped around my ribs. I want to start unlearning it. Slowly. Gently. Like peeling back armor that used to keep me safe, but now just keeps me small.

I want to ask for help without apologizing. I want to rest without guilt. I want to take up space — not with noise or hustle, but with presence. With breath. With truth. I don’t want to perform my way through life anymore. I want to live it. Even if it’s messy. Even if it’s slow. Even if some days, all I do is survive.

That still counts. I still count.⁵

And maybe — just maybe — someone out there needed to hear this. Maybe someone else is sitting in the dark, holding their breath, wondering if anyone sees them.

I do. I see you. I’m right here too.

Okay. Here it is.

I think I’m afraid that if I stop performing, if I stop being useful, pleasant, agreeable, people will leave. Not in a dramatic, movie-ending kind of way. Just slowly. Quietly. Like a room emptying out. Like silence settling in. Dust sitting down. I’m scared of being forgotten. Of being too much. Of not being enough. Of being nothing at all. All at the same time. How?

And it’s not just a fear, it’s a pattern. I’ve watched it happen. I’ve watched people drift when I wasn’t their favorite version of me. I’ve felt love shrink when I stopped shape-shifting. When I dared to say “I’m not okay.” It’s made me so good at editing myself down to the version that takes up the least amount of space.

That’s the rot. The belief that I am only valuable when I’m convenient. That love is earned by performance. That my pain is a burden. That honesty is too loud. That needs are too messy. That my real self is too much to hold. And because of that, I’ve taught myself to pre-abandon. I back away first. I detach. I ghost my own needs. I lower my expectations so no one else has to. I rehearse being left so the real thing doesn’t hurt as much.

But spoiler: it still hurts.

And what no one tells you about this kind of survival is that it works. It works. You stay safe. You stay small. You avoid disappointment. But you also start to disappear. You start forgetting what you even sound like when you’re not trying to please.

And now I don’t always recognize myself. Not in the mirror. Not in my voice. Not in the way I move through the world with carefulness instead of conviction. I want to burn the script I’ve been handed — the one that says “Be palatable. Be useful. Be fine.”

I want to write a new one that says:

Be honest. Be human. Be here. Even if they leave. Even if it’s messy. Even if I’m scared the whole time.⁶

The hardest part is knowing that I’ve done this to myself, too. Not just other people. Me. I’ve abandoned me. Over and over. Silenced myself when I needed to scream. Belittled my pain because someone else had it worse. Laughed when I wanted to cry. Said “it’s fine” so many times that the words feel like poison now. I’ve become fluent in self-betrayal. I know how to invalidate my own feelings before anyone else gets the chance. I know how to say “I don’t need anything” even when I am starving for care. I know how to ghost the parts of me that are inconvenient — the messy parts, the loud parts, the hurting parts — and pretend I am whole.

But I’m not whole. I’m cracked in places I can’t reach. And some days it feels like I’m rotting from the inside out — not in a melodramatic way, but in a quiet, invisible way. Like mold growing under the wallpaper. Like something you don’t notice until it’s everywhere. I’m scared that if people saw the real me — the whole, unedited, unfiltered me — they’d walk away. 

Not out of cruelty. Just confusion. Discomfort. Like, “oh, I didn’t know you were that sad.” And what do you even say to that?

Neither did I.⁷

There’s no redemption arc here. Not today. There’s no tidy wrap-up, no clarity, no sudden sunrise. There’s just this. The raw, unfinished truth of it all:

I am not okay. And I’m done pretending I am.

Sometimes I catch myself fantasizing about subtraction — not in a minimalist Pinterest-board kind of way, but in a desperate please-make-it-quiet way. I want fewer tabs open, fewer expectations, fewer demands to be on. I crave space. I crave silence that feels like peace instead of loneliness. I want to do less and feel more. More rooms to enter into with less sneers, less taunts, less sighs. But here’s the catch: at the very moment I’m craving less, I need more (of something else). More reassurance. More softness. More love without performance. More care I don’t have to earn. And isn’t that the paradox? I’m shrinking everything down just to make room for what I’m scared to ask for.⁸

There was a time when I loved being alone. It felt like freedom. A choice. Now it feels more like absence. Like everyone else left the party and I’m still cleaning up, unsure if they’ll come back or if they were ever really here for me in the first place. I don’t know when solitude turned into exile, but I miss the version of me that found comfort in her own company.⁹

I’m tired of being congratulated for coping. For pushing through. For showing up when I’m crumbling inside. There’s this strange praise people give — “Wow, you’re handling so much!”¹⁰ — and it always feels like a compliment wrapped around a cry for help. Like I’m being rewarded for performing wellness while actively falling apart. I don’t want to be resilient today. I want to be soft. Fragile. Unremarkable. I want to exist without being strong all the time.

There’s a fire under this fog. I don’t show it often — it doesn’t look pretty in Instagram captions or Zoom meetings. But it’s there. A deep, guttural frustration at how much I’ve had to endure while smiling. How much I’ve sacrificed for the sake of “not making things harder for anyone else.”¹¹

And I am angry. Angry that I was told to be nice instead of honest. Angry that burnout is treated like a badge instead of a warning sign. Angry that asking for less is seen as laziness and wanting more is seen as greed. And yet — even in the middle of this emotional graveyard — something keeps blooming. It’s not loud. It’s not dramatic. It’s more like a flicker. A whisper. That maybe tomorrow could feel different. That maybe I’m not beyond repair. That maybe something good could still find me, even now. Even here. Hope isn’t a clean thing. Nor soft.¹² It’s messy and suspicious and often shows up in disguise. But it’s here. And I’m learning to let it stay.

I don’t know what version of me will read this months or years from now. I don’t know if she’ll still be tired, done, waiting for the end or if she’ll be lighter, freer, whole or if she'll be she anymore in ways I can’t imagine yet. But I hope she’s proud of me. Of this. Of the trying. Of the truth. I hope she looks back and whispers, “You didn’t give up. Even when it would’ve been easier.”¹³ There you go, that's the hope. The cyclical hope. Hoping for misery (of the future) to disappear while stewing in misery (of the present). Could there be a more Miseria ending?

The Price of Pretending

And now, there’s this new weight — not just emotional, but economic. A slow, creeping violence that wears a suit and calls itself a delay. My salary’s late. Again. And again.¹⁴ And what begins as frustration calcifies into fear. Into guilt. Into the shame of needing what you’ve earned and being made to feel like asking for it is rude. Aggressive. Ungrateful.

Every email I draft to HR feels like an apology. Every sentence is padded in “just checking in” and “kindly requesting” and “if you could please.”¹⁵ As if I’m not fighting for my own livelihood but begging for crumbs. My fingertips are laced with guilt ink, trembling between professionalism and desperation.¹⁶

This is economic abuse with a polite face.¹⁷ It doesn’t scream. It doesn’t hit. But it erodes. Quietly. It makes you question your worth. It makes you doubt your right to stability. It forces you to live in a suspended state — a constant limbo of waiting, adjusting, shrinking.

It’s rapid and vapid, this cycle—when you work in the social sector, giving everything, day and night, for the good of society… and then, when you ask for what you’re owed—what you’ve earned—you’re made to feel like you’re committing a crime. Why?

Why is it that when we advocate for survivor-centric approaches, trauma-informed care, and rights-based systems,¹⁸ our work is praised, published, applauded, and passed around like sacred scripture? But when we demand the same principles within our own organizations—when we say, "treat us like humans, too"—suddenly we’re “ganging up”?

What else are we supposed to do? We have no money. All we have is each other.¹⁹ If we raise our voices together, it’s called rebellion. If we stay silent, it’s compliance.²⁰ Is suffering a requirement to prove our commitment? Is living in pain and overdrafts the currency we pay to access institutional empathy?

Or worse—is our pain their business model?²¹
Is our exhaustion the raw material they polish into reports and pitch decks for donors? Do our trauma-informed designs only matter when they’re outward-facing, never inward-lived?²²

Because it’s starting to feel like we’re not just holding space for others’ pain—we’re being bled for it. Wrung dry for "the cause," while we teach self-care we can't afford, and preach boundaries we’re punished for having.

Home? That sweet, supposed safety net? It turns into a trap the second I crack. The moment I fall apart, I know it’ll snap back and chew me whole — the judgments, the side-eyes, the suffocating “we’ve all had it worse” silence. So I swallow my truth and I budget in fear.

This isn’t just one bad month. This is a pattern that’s so familiar it feels etched in my DNA.²³ Things fall apart. They always do. They get so, so bad. And then maybe—maybe—they start to rise. But I’m tired of surviving the bad. This time, I don’t have the strength to carry the fall again. I want out.

I daydream about running away. Just leaving. Starting over somewhere with clean air and no emails and mornings that don’t begin in dread. I imagine it so vividly it hurts. And then I tuck the fantasy away like a bruise I can’t show. Another scar. No wound. No blood. Just absence.

Footnotes:

¹ It’s probably both. The sound is coming from the dashboard and my fear of failure. Cool cool cool.

² That part was hard to write. My fingers hesitated. But I’m leaving it in. Because I think someone else needs to hear it too.

³ My default setting is “Do better.” The idea of saying “You’re doing your best” makes me want to cry, which probably means I need to hear it more.

⁴ If you’re reading this and nodding along — hi. You’re not alone. I don’t know you, but I’m rooting for you like it’s my full-time job.

⁵ If you only brushed your teeth and scrolled aimlessly today, that’s still something. You’re still here. You’re still trying. That is not small.

⁶ What if the people who leave were never really holding me to begin with? What if the ones who stay — even when I’m raw and real and ruined — are the only ones who matter?

⁷ Grief isn’t always loud. Sometimes it’s just not answering texts and forgetting how to be excited about anything.

⁸ Also, I’m not talking about Marie Kondo “sparking joy” minimalism. I mean the kind of minimalism where your nervous system stops playing the Jaws theme during every group chat notification.

⁹ There’s a difference between being alone and being forgotten. One feels like peace. The other feels like being erased in real time.

¹⁰ Yes, I showered. No, that doesn’t mean I’m emotionally stable. It just means I couldn’t handle one more thing smelling bad today.

¹¹ I want to punch the air every time someone says, “Just take a bubble bath.” Like yes, L, let me exfoliate my generational trauma.

¹² Hope is stubborn. Like a dandelion pushing through concrete. And I hate it for making me believe things could get better. But I also need it. Desperately.

¹³ Also, future-you is gonna be so grateful you kept these words. Even the messy ones. Especially the messy ones. She’s gonna look back and whisper, “Damn. Look at you. Still showing up.”

¹⁴ Yes, I’m aware rent doesn’t accept “emotional satisfaction” as payment. I checked. Repeatedly.

¹⁵ "Just follow up again?” Sure. Let me rephrase my trauma in Excel-friendly language one more time.

¹⁶ The only thing worse than writing a “salary delay” email is re-reading it to make sure I sound grateful enough to not be blacklisted.

¹⁷ If you're wondering what economic abuse looks like in nonprofits, it's often wearing a kurta, quoting Paulo Freire, and ghosting your invoice.

¹⁸ It's funny how “dignity” is always in the mission statement, just never in the payroll cycle.

¹⁹ For a sector built on empathy, we really know how to professionally gaslight our own.

²⁰ HR: “We hear you.”
Me: cool, can you pay me though?

²¹ They say “we’re all a family here.” If this is a family, it’s the kind that eats its young.

²² The real irony? Our trauma-informed workshops have better care models than our actual HR policies.

²³ I want a world where being paid on time isn’t seen as a privilege, but as the bare minimum.

P.S.: This footnote idea taken as an inspiration from Emily Moran Barwick. You can read her post, Hi. I'm Terrified, Creatively Constipated, and Existentially Angsty as Fuck. And I'm Judging Every Word of This Post. And It's Not What I Want It to Be. It is amazing, so amazing, that you will never come back to my blog. 

P.P.S.: If you made it this far, congratulations. You’ve survived my nervous system’s entire PowerPoint presentation. And, I know what you're thinking: "Honestly, this could’ve been an email. To your therapist. But here we are."

- Oizys.