Tuesday, October 28, 2025

OctPoWriMo Day 28. The One with Iron Fingernails

OctPoWriMo Day 28. The Monsters We Make

We’re getting close to the end of this wonderful journey. We’ve explored sensory detail, gone deeper connecting sensory detail with personal thought and memory, and then deeper connecting sensory detail with personal thought and memory and universal themes and symbolism. So today, let your persona take you even deeper, freeing you to explore the fears you’ve been avoiding. Let him or her sit with the discomfort and free you to write what you see, feel, want or don’t want. Let her or him ask the deep questions that you haven’t yet felt safe to ask.

Example Poem: “Neurotics” by Philip Larkin from Collected Poems(Aal)

Neurotics

No one gives you a thought, as day by day
You drag your feet, clay-thick with misery.
None think how stalemate in you grinds away,
Holding your spinning wheels an inch too high
To bite on earth. The mind, it’s said, is free
But not your minds. They, rusted stiff, admit
Only what will accuse or horrify,
Like slot-machines only bent pennies fit.

So year by year your tense unfinished faces
Sink further from the light. No one pretends
To want to help you now For interest passes
Always towards the young and more insistent,
And skirts locked rooms where a hired darkness ends
Your long defense against the non-existent.

~Philip Larkin

Prompt: Sculpt a protector with your words. What does it look like? Send it out to fight a fear, to get your revenge.

Possible form: A Ballad

~

The One with Iron Fingernails
(ABCB rhyme — loose iambic tetrameter / trimeter)

I carved him from my sleepless hours,
steel ribs and burning bone;
I stitched his jaw with thunderclouds—
to guard me when alone.

His eyes were coins of river glass,
unspent, unsold, unowned;
he learned the map of every fear
my shaking hands had shown.

I sent him to the door of dreams
where childhood monsters breed;
he tore their velvet masks apart
and fed on what they’d bleed.

He marched into my office halls,
where deadlines hissed like snakes;
he crushed their clocks to silver ash
and gave me back my breaks.

He cornered all the whispered doubts
that said I’d fail again;
he pinned them by their paper tongues
and wrote my name as “when.”

Yet gently, he returned at dawn
and placed his helm aside;
“You don’t need me,” he told my chest,
“but I will walk beside.”

So now he stands behind my thoughts
when sorrow tries to speak;
his iron fingernails click slow...
a promise, not a threat, to keep.

~ Oizys.

Monday, October 27, 2025

OctPoWriMo Day 27. Two Questions Before the Clock Strikes

OctPoWriMo Day 27. Too Big To Fail

One thing I love about poetry is the way poems can manipulate time. A poem can represent the real time it takes to read it, or an entire lifetime. It can encapsulate the past, present and future, or one fleeting second.

Example Poem: “Days” by Philip Larkin from Collected Poems(Aal)

Days

What are days for?
Days are where we live
They come, they wake us
Time and time over
They are to be happy in
Where can we live but days?

Ah, solving that question
Brings the priest and the doctor
In their long coats
Running over the fields.

~Philip Larkin

How does this poem use and explore time?

Prompt: Write a brief, condensed poem that asks two related questions. End by describing something unexpected that will happen when one of the questions is answered.

Possible form: Nonet – A nine line poem that starts with nine syllables down to one.

~

Two Questions Before the Clock Strikes

10 Why do mornings always return to us? (why do morn-ings al-ways re-turn to us)
9 Where does night go when it sleeps each day? (where does night go when it sleeps each day)
8 Tea cools; ink forgets the message. (tea cools ink for-gets the mes-sage)
7 Calendars dissolve softly. (cal-en-dars dis-solve soft-ly)
6 Hours unspool mindlessly. (hours unspool mind-less-ly)
5 Until that one sound... (un-til that one sound)
4 Night folds its wings (night folds its wings)
3 Answer found: (an-swer found)
2 Cold rings. (cold rings)
1 Snow. (snow)

~ Oizys.

P.S. I was having fun with the cascading syllables until the counter drove me completely mad. I surrendered at “one.”