Wednesday, June 17, 2026

[dVerse] June 16th - I was given eight crayons and drew a witness statement.

The first box had eight colors
and no instructions for grief.

Red was for apples, they said,
as if blood had not already invented itself?
Red is:
the notification I still haven't opened,
the lipstick I wore like an alibi,
the danger my mother taught me to notice before language.


Yellow was the sun,
as if jaundice, turmeric, caution tape,
and old gods did not live there too?
Yellow is:
old turmeric under the nail,
a streetlight pretending to protect me,
the cheap brightness of sunshine-flavour optimism sold in bulk.


Blue was for sky, they said,
as if drowning did not also look upward?
As if a bruise was not simply the body
learning how to keep a record?
Blue is:
some say, sadness,
but it's not sadness exactly,
it's the bruise of learning grammar to write the wounds.


Green was for grass, they said,
as if envy had not already rented a room
inside the chest?
As if mold did not know
how to make a home of what was abandoned?
Green is:
mold on the thing you meant to become,
and moss on others who became that thing.

Black was for night, they said,
as if night were the worst thing
a room could become?
As if absence had no color
until we were made to sit inside it?
Black is:
not death, but the room after everyone says “move on.”

Give me the broken crayon,
the one without a wrapper,
the one no child can name.
I will use it
to draw the door
and then misbehave my way through it.
 
~ Oizys.
 

Thursday, May 21, 2026

[dVerse] May 19th - This Is Not a Walk

This Is Not a Walk
after Chagall’s La promenade

Marc Chagall, La promenade (The Promenade) (1918), oil on canvas

This is not a woman flying.
This is not a man holding the wrist of his weather.
This is not love,
though love is often accused of such public misconduct.

The green beneath them is not a field.
It is not obedience pretending to be grass.
It is not the ancestral courtyard where daughters learn how low the sky can be.

The houses are not houses.
They are not witnesses with their windows buttoned shut.
They are not relatives leaning out to ask where she is going
in that dress,
with that body,
with that much altitude.

The bouquet is not a bouquet.
It is not apology.
It is not proof that romance has completed its paperwork.

The small red church is not a church.
It is not permission.
It is not the office where joy must apply
for a identity certificate,
salary slip, father’s signature,
and two passport-size photographs.

And he—the man on the ground—
is not a saviour.

Let us be clear.

He is not gravity.
He is not ownership.
He is not the nail holding her blue hem to the village map.

He is only a hand still surprised to be trusted.

She is not escaping.
She is not performing lightness for the museum wall.

She is what happens when the body remembers
it was never a cupboard,
never a locked room,
never the careful daughter
folded into the good bedsheet.

Above them, the sky
is not blue.
It is not sky.
It is a loophole.

And the air—that shameless clerk—
has misplaced every form
that once required her
to stay.

~ Oizys.

Written for dVerse Don’t box me in: Chagall by Melissa Lemay on May 19, 2026.