Tuesday, April 22, 2025

NaPoWriMo 2025 (April 22nd): After the Storm, the Ritual

From NaPoWriMo 2025 (Day Twenty-Two): Welcome back, everyone, for the twenty-second day of National/Global Poetry Writing Month.

Our featured participant today is Cutting Hail, who brings us not just one poem in response to Day 21’s “instructional” prompt, but three!

Today’s daily resource is the Uffizi Gallery, in Florence, Italy. If you are at all interested in Renaissance Italian masters, it’s the right place to get an eyeful of Titians, Caravaggios, Botticellis, Canallettos, and da Vincis.

And now for today’s optional prompt! Did you take music lessons as a child? Despite having all the musical talent of a dried-out lemon, I took two years of piano lessons. I was required to practice for half an hour a day, and showed my disgruntlement by playing certain very annoying songs – like Turkey in the Straw – over and over, as loudly as possible. But while I thought of the lessons as a kind of torture, I’m glad as an adult to have taken them – if only for the greater dexterity it gave to my hands!

In her poem, Thanking My Mother for Piano Lessons, Diane Wakoski is far more grateful than I ever managed to be, describing the act of playing as a “relief” from loneliness and worry, and as enlarging her life with something beautiful. Today, we’d like to challenge you to write a poem about something you’ve done – whether it’s music lessons, or playing soccer, crocheting, or fishing, or learning how to change a tire – that gave you a similar kind of satisfaction, and perhaps still does.

Happy writing!

Some Context? 
I often find myself searching for a god-like figure, but I get lost somewhere between emotion and intellect. So instead, I return to the rituals that anchor me: writing out the noise in my head, chopping vegetables with intention, the quiet grace of a hot shower, and curling up in bed with a book. These moments are simple, ordinary even, but they carry a sacred kind of peace for me (and, I believe, for many others). They are the temple I return to when everything else feels like chaos.

After the Storm, the Ritual

Some days, the world is a tangled earphone, knots of thought, unsaid things looping in my head like a bad remix.  So I write. Not for beauty. Not for form. But to lay the noise down flat, press it onto paper until it stops screaming.  Then, I move to the kitchen. It’s just me and the onions now. Their layers fall like small truths— a rhythm, a purpose, a little salt in my eye to remind me I’m here.  The sizzle of garlic in the pan is applause. And I stir the pot like a witch brewing peace.  Later, a hot shower: my tiny waterfall. Soap becomes absolution. Lotion becomes armor. And the bed welcomes me like it’s been saving my shape.  Book in hand, tea in cup, chores done, mind quiet— this is temple.  - Oizys.

Monday, April 21, 2025

NaPoWriMo 2025 (April 21st): She who finally left (a quietly surreal travelogue)

From NaPoWriMo 2025 (Day Twenty-One): Happy Monday, all, and a very happy twenty-first day of Na/GloPoWriMo.

Today, our featured participant is Sunra Rainz, whose Roethke-inspired poem for Day Twenty has an irresistable and friendly rhythm.

Our daily resource is the Shanghai Museum, where you will find everything from a carved hairpin featuring two mustachioed fellows, to a hot-pink Taoist master, to a calligraphic ode to wine.

And now here’s our daily (optional) prompt. Sawako Nakayasu’s poem “Improvisational Score” is a rather surreal prose poem describing an imaginary musical piece that proceeds in a very unmusical way. Today, try your hand at writing your own poem in which something that normally unfolds in a set and well understood way  — like a baseball game or dance recital – goes haywire, but is described as if it is all very normal.

Happy writing!

Backdrop: She boards the usual 8:03 hydra. Its scales smell faintly of burnt coffee and resignation. The conductor offers her a coupon for courage, buy one, get one dread. At the second stop, the ocean leaks in. Someone loses a shoe to a kraken. Nobody looks up from their phones. She scrolls past a meme of a minotaur in a cubicle. She laughs. She reaches your station, a cloud shaped like her childhood cat. She walks to the office barefoot, humming last week’s heartbreak like a long-forgotten national anthem.

She who finally left
(a quietly surreal travelogue)

She handed over her boarding pass made of pressed flowers and unspoken wishes.
“Purpose of visit?” they asked.
“To find the version of me who didn’t flinch.”
The agent nodded. “Gate 7. Watch out for nostalgia storms.”

Customs asked how many promises she’d broken.
She lost count at twelve. They let her through anyway.

The plane hummed like a lullaby.
Ran on middle-of-the-night regrets and the sighs of all the women who stayed.

The flight attendant asked for her dreams instead of a passport.
Stamped them gently with a smile that felt like déjà vu.

She ordered tea. It tasted like the poem she wrote at 19 and never showed anyone.
The seat beside her stayed empty —
reserved for the girl she used to be.

Each city spoke in the languages she invented as a child —
part hummingbird, part thunderstorm,
mostly longing.

In Florence, they spoke in rhymes.
In Baku, only in lullabies.
In every city, someone mistook her for someone they’d lost.
She apologized each time, though she didn’t know why.

Her suitcase arrived full of echoes.
"Come back soon," "Why not now?" "Do you remember me?"
She folded them carefully. Placed them in drawers like scarves.

Every time she unpacked, she found the things she almost said —
still warm, still waiting.

Every hotel room contained a different version of her —
some older, some braver, one still seventeen and furious.
They nodded at each other. Sometimes they left notes.
Once, they all cried together. Quietly. As if it were part of the check-in process.

Each hotel mirror offered a different reflection.
One smiled. One wept. One looked away.

Currency varied by emotion.
A deep belly laugh bought her dinner.
A whispered “I miss you” got her a cab ride.
Guilt, however, cost everything.

She traveled for years like that.
Not measuring distance in kilometers, but in silences.
Not tracking time, but weight —
how light she felt in each place,
how heavy the return.

She traveled for years like that.
Not measuring distance in kilometers, but in silences.
Not tracking time, but weight —
how light she felt in each place,
how heavy the return.

Until one night, in a nameless city with fog that smelled like old paper,
she reached for her suitcase—
and found it empty.

No almost-said things. No folded echoes.
Just lint. A crumpled receipt.
A boarding pass with no name.
Her name — forgotten, or never written.

She stood there, blinking, in the hotel hallway.
The other versions of her gone.
The mirror showed only the wallpaper behind her.

And for the first time,
she wasn’t sure she’d ever left at all.

- Oizys.

[Note: This is a sort-of-sequel to my previous post's poem companion.]