Wednesday, April 9, 2025

NaPoWriMo 2025 (April 9th): Echoes Beneath the Cracked Bell

From NaPoWriMo 2025: And here’s our optional prompt for the day. Like music, poetry offers us a way to play with and experience sound. This can be through meter, rhyme, varying line lengths, assonance, alliteration, and other techniques that call attention not just to the meaning of words, but the way they echo and resonate against each other. For a look at some of these sound devices in action, read Robert Hillyer’s poem, Fog. It uses both rhyme and uneven line lengths to create a slow, off-kilter rhythm that heightens the poem’s overall ominousness. Today we’d like to challenge you to try writing a poem of your own that uses rhyme, but without adhering to specific line lengths. For extra credit, reference a very specific sound, like the buoy in Hillyer’s poem.

Echoes Beneath the Cracked Bell

The wind is thin, a whip through wires,
its breath a hiss, the light, a slant—
beneath a sky that spits, expires,
the bell cracks wide, a sharpened chant.

A low hum drips, a venom’s cry,
it fills the night, the waking start—
a thousand voices pulse and sigh,
and storm below with broken heart.

The trolley groans, its iron bite,
a clanging jolt, the streets, a bruise—
like glass beneath a boot’s last strike,
or teeth that snap, a flare, a fuse.

The siren wails, the evening bleeds,
its song unspools, a frayed decree.
Still, the streets refuse to sleep,
their pulse, alive—unbroken, free.

Do you hear it?
The shouts that cut through glass and bone,
the shuffle of the feet alone,
the bell that tolls not for the dead,
but for the waking, mad instead—
a child’s cry beneath the hum,
a shadow bent—its whispers come—
and still it trembles—rise, rise

Though rain falls cold, tomorrow’s blind—
today is ours, and we, not lone.
The bell rings louder, waking strife,
its echoes stir the rust, the knife,
the silent scream of worlds unknown.

And in the cracks, the fury churns,
a fire lit from dust and stone—
it rises up with steady hands,
and clenched in fists, the broken stand.

The streets are deep with aching feet,
their boots like thunder in the dark,
the words they spit—a bitter beat,
the fire caught, a searing spark.

Can you taste it?
The iron edge beneath the tongue,
the weight of years, the songs unsung,
the bell’s loud crash—its final toll—
a sound that splits the heart in whole—
the waking rises, comes to claim
the thunder of this broken name.

- Oizys.

Tuesday, April 8, 2025

NaPoWriMo 2025 (April 8th): Ghazal: A Love in Revolt // Ik Ishq ki Bagawat Main

From NaPoWriMo 2025: The ghazal (pronounced kind of like “huzzle,” with a particularly husky “h” at the beginning) is a form that originates in Arabic poetry, and is often used for love poems. Ghazals commonly consist of five to fifteen couplets that are independent from each other but are nonetheless linked abstractly in their theme; and more concretely by their form. And what is that form? In English ghazals, the usual constraints are that:

  • the lines all have to be of around the same length (though formal meter/syllable-counts are not employed); and
  • both lines of the first couplet end on the same word or words, which then form a refrain that is echoed at the end of each succeeding couplet.

Another aspect of the traditional ghazal form that has become popular in English is having the poet’s own name (or a reference to the poet – like a nickname) appear in the final couplet.

Want an example? Try Patricia Smith’s “Hip-Hop Ghazal.”

Now try writing your own ghazal that takes the form of a love song – however you want to define that. Observe the conventions of the repeated word, including your own name (or a reference to yourself) and having the stanzas present independent thoughts along a single theme – a meditation, not a story.

Ghazal: A Love in Revolt

I love fiercely, unbound by rules in revolt
A heart ablaze with justice, burning in revolt

A silent protest whispered with each breath,
Dark alleys of desire and defiance in revolt

The fragrance of power, sweet as forbidden wine,
Where longing meets uprising, ever in revolt

Midnight confessions echoing through chains of law,
Passion shattering history’s fortress in revolt

A rebellion etched in verse, keen as a sharpened blade,
Carrying secrets of subversion, dancing in revolt

I pen my fate in the open—a woman of storm and art, Oizys,
Finding love in every fractured promise still in revolt

Ik Ishq ki Bagawat Main

Main bekhauf ishq karti hoon, qayde se bekhabar, Bagawat main
Nyay ki aag main ek jalta dil, Bagawat main

Har saans main sunehri khamoshi ka vidroh hai,
Ishq aur zid ki andheri galiyon main, Bagawat main

Taqat ki mehak, mana ki madira si meethi,
Jahan tamanna se uthti hai bagawat ki hawa, Bagawat main

Aadhi raat ki ikrarat, qanoon ki janjeeron main goonjte,
Hayat ke deewarein cheerata junoon, Bagawat main

Shayrana vidroh ki lakeeren, dhaardaar talwaar si tez,
Raaz-e-takhti ko chhupaye, nrutya karta dil, Bagawat main

Main likhti apni taqdeer—toofani ek aurat, Oizys,
Har toote vaade main dhoondhti ishq, abhi bhi Bagawat main

- Oizys.

Monday, April 7, 2025

Tonight, Like Some Nights

As I have grown closer to my mother, we have these fleeting, intense, packed-with-emotions conversations sometimes. It is so deep and one with the soul that it almost makes me nostalgic about a connection I never thought I hoped for. But almost every conversation is also followed by a nagging sadness because almost every conversation is about the familial adversities that we both are stuck in. The empathy is underlayer with the longing for a conversation about a moment of happiness that feels elusive to the bones. Every talk is an act of writing a sad poem on a dry night of loo. Every exchange feels like staring at own's wretched existence in the mirror. Every story of the past shared liquifies my insides. Curdles my gut. And, I can't help but shake one constant thought. The thought of living with these experiences for the rest of my life. Stuck to my skin like the sweat in the desert afternoon. Embedded in every benign act of randomly eating a bucket of ice cream in the middle of a lonely night. And yet, there’s a strange warmth in it. A bittersweetness that swells and contracts in my chest, like a storm that never fully breaks. It’s a warmth that lingers long after the conversation is over, like the trace of a smile you’re not sure you saw, but you feel it in the air. It’s as if we’ve both unlocked a door to a place we never thought we could reach, a place where pain and tenderness intertwine. Where silence is a soft hum, the only sound that resonates when the words fall away.

But then—always then—there’s the guilt, too. Guilt for even daring to feel anything close to peace in the same breath as the ache. Guilt for wishing, in some quiet corner of my mind, that the pain could be less. That we could just talk about anything else. But it is, and it isn’t, that simple. Each word spoken feels like it’s steeped in the years we both carry, wrapped tightly around our ribs, squeezing us from the inside. Each silence, too, is like a stretched thread of memory that won’t snap. And I wonder, sometimes, whether the weight will ever stop pressing on us, or if it’s simply become a part of us, like a shadow.

I catch myself wanting to say something comforting, something that will dissolve the tension in the room. But what words are there? What words exist to undo a lifetime of bruises that run deeper than skin? What soft promises can replace the unspoken fears that tether us together, even as we try to walk in opposite directions? Every conversation with her feels like a tug of war-between the present and the past. And I feel the pull. Oh, how I feel the pull.

But it’s the waiting, isn’t it? The waiting that gnaws. The waiting for some definitive moment when the storm breaks, when the clarity we crave lands like a rainstorm that washes the dust away. But it never does. So, we keep dancing with the storm. We move through the chaos. And we are the storm. I think about it—about the incessant thirst for something we can’t quite name. Maybe that’s it. The words never come because there’s no language for the longing to break free, to just once exist in a moment untouched by all that was before, by all that drips from the walls of our memories.

Instead, we speak, again and again, of the same old things. And each time, it’s like trying to catch the wind in my hands—slipping through, shifting with the seasons, always just out of reach.

There is a force. A force that has no name, but it is. It’s the thing that winds itself into the very fabric of every conversation, every glance shared, every quiet moment between us. It’s a cold current that runs through the veins of our shared history, like a curse that was passed down, unbidden and unwelcome. It has shaped our minds, our hearts, and our movements before we even understood what it was. And when I look at my mother, I do not simply see the woman who gave birth to me. No. She sees the extension of that force—woven into the lines of my mother’s face, pressed deep into her tired shoulders, sewn into the sorrowful arch of her hands. It’s a genetic inheritance. A chromosome etched with scars of a life lived under something: something larger, something oppressive, something that has crushed womanhood into a form so unrecognizable that even she no longer knows what it is to be her—the her that was once unburdened, free of a history that collapsed on itself.

And I, oh, how I long to see the woman—the woman—that my mother could have been, could have still been, if not for the weight of the world that was handed down to her, piece by piece until there was nothing left but the hollow shell of a woman. I wonder if my mother ever knew what it was like to laugh without caution, to love without the worry of breaking, to be soft without the fear of being broken. But those are questions that are always too much. Those are questions that cannot be asked, because who would answer them? Who would dare to speak of a womanhood that was forcibly twisted, torn apart, and remade into something survivalist—something that could only exist through sacrifice and silence?

I try. I try to find even the slightest trace of it—my mother’s womanhood—as if it were a secret hidden beneath the surface of a story never fully told. I look for cracks in the armour of my mother’s exterior, hoping that the essence of her—the one that was never allowed to blossom—would somehow slip through like water trickling through the tiniest fissure in a dam. I want to catch a glimpse of it. Just once. To feel the pulse of womanhood that is hers too, buried somewhere deep within my dear mother.

But the cracks are few, and those that do appear are thin and fragile, fading almost as soon as they appear. I chase them, hands trembling, desperate to catch something—anything—that will prove that my mother’s womanhood still exists somewhere inside her. Maybe in the way she hums while commanding, in the way, her eyes soften when they talk of their lost loved ones, or perhaps in the brief moments when she forgets to hide her tears. I hope that if I hold on long enough, I can peel back the layers of resignation and see it—just for a fleeting second. But what I see instead is a woman who no longer knows how to be anything other than what life has made her.

And so I fight it. I fight the thought. The thought of becoming her mother. The thought of inheriting the very same fate—the same shadow that hovers over our lives like a distant storm. I try not to think of it, but the pull is always there. I am always one breath away from it, one step from falling into that same cycle of survival, of becoming a woman who is nothing more than a reflection of what has been done to her, who is nothing more than a version of what she was told to be, and nothing else.

And yet—there is a relationship. A refusal to be shaped by the same hands that shaped my mother. But the fear is there, too, gnawing at me, making me wonder if all my attempts to break free will only result in me becoming the very thing I dread. It’s a haunting, and it will not let me go.

Nights like tonight are when the weight of it all becomes so heavy, so palpable, that the air itself feels thick with the tension of unspoken things. I lie awake, the moonlight spilling through the window, but the shadows still stretch long and narrow across my thoughts. I wonder—sometimes desperately—whether there is a place where the echoes of my mother’s life will fade, where I will not always hear the whisper of that same cold current running through my veins, always reminding me that the past is never truly past. I wonder if there’s a way to sever it—to cut the thread that binds me to a history she can neither escape nor fully embrace.

And yet, there is no escaping it. No severing the cord, because it exists in my skin, my bones, my breath. It exists in the subtle ways I hold my hands, the way my voice quivers when I speak of things I cannot forget, the way I stiffen when the world presses too hard. My mother’s history is my history now, inextricable, woven into the very fabric of my being, like an ancient song that I was born knowing the words to, even though I never asked to learn them. And so, there are moments, too, when I am not fighting against it—when she is not running—but instead, I am simply sitting in it. Silent, still, like the calm before a storm that never fully breaks.

There are days when the weight of that inheritance feels like a blanket that has been folded too tightly, too many times until it is impossible to shake it free. But then, there are the moments in between—the flickers of something soft, something tender—that remind her that she is not simply defined by the past. There are the cracks that reveal something else, something deeper than the scars of survival. There are the glimmers of light in my mother’s eyes when she speaks and the days before all the sorrow before the world had taken what it could and left them both with what remained. There is the warmth of her hand on my arm when the words fail us both, and we simply sit together in silence, not because we have nothing to say but because there is nothing more to be said. And in that silence, there is a tenderness, a recognition of shared grief, of something that can never be untangled from the knots of their lives.

And in those moments, I allow myself to soften just a little. To stop fighting for a future that doesn’t bear the same weight. To breathe, just for a moment, in the space between our shared silences. I let myself feel it—the warmth, the tenderness, the connection that exists between us, even when the storm is raging. For all the heaviness of our history, there is something undeniably real in this bond we share. Something fragile and beautiful, like the way a broken flower still manages to bloom.

But even as I allow myself this brief release, I know that the storm is never far behind. The weight of my mother’s life, my own inherited burdens, will sit there, just beneath the surface, like a tide that is constantly pulling at her. It will always tug at my edges, shape my thoughts, and seep into my dreams. And yet, I know—somewhere deep inside—that there is strength in this, too. Strength in the knowing that I carry both the pain and the possibility of something more, something beyond the confines of the past. There is strength in surviving, in standing firm against the pull of history, even if it feels like a losing battle some days.

Because there is something within me that refuses to be extinguished. Some stubborn flicker of hope, of defiance, that whispers even when everything else is quiet: you are not your mother. You are not just the sum of all the wounds that came before you. You are more than this.

But then, the pull comes again. The pull of that force. The pull of my mother’s history, my mother’s pain, my mother’s unspoken stories. The pull of becoming the woman who has survived everything, who has lived under the weight of the world’s cruelty and kept going. The pull of becoming the woman who holds it all inside, who carries the scars of every battle fought and lost, but still stands—still stands, even when everything else falls away.

I see it sometimes, in the curve of my own reflection. I see the trace of it in the way my fingers curl around the edges of my mother’s hand, the way her eyes flicker with a sadness I cannot name. I feels it, too, in the way my own shoulders have begun to curve under the weight of things I was never meant to carry. And I wonder, as I stares into the mirror of her own existence, whether this is my fate—to be forever caught between the echoes of the past and the desperate desire to escape it. To be forever searching for something that is both mine and not mine—something that I long to touch, to understand, to claim as my own.

But there is also something else—a quiet resilience, a soft, unwavering light—that refuses to be drowned by the weight of history. Something that whispers, even when everything else is heavy, that the storm will pass, even if it never fully breaks. Even if the words never come. Even if the past never lets go. You are still here.

And so, the dance continues. The storm swells, recedes, and swells again. I am caught between the past and the present, between the woman my mother was and the woman I am becoming. She is both at once—torn, pulled, stretched across time and space. But in my chest, there is a small, stubborn beat of something more—a reminder that even in the darkest of storms, there is always something worth holding on to. Even if that something is just the quiet belief that one day, the storm will finally, somehow, break.

And when it does, I will be there. I will be standing—undone, maybe, but also whole in a way that is my own.

On nights like tonight (and the past few nights passed), when the room is thick with the smell of aging walls and the soft hum of the world outside, I lie beside her mother, both of us caught in the stillness of a moment we don’t dare break. The air is heavy, like it knows something that neither of us can name. My eyes trace the outline of my mother’s face in the half-light, the way the lines have deepened over time, carved into her skin by years of carrying burdens no one should have to bear. And in those moments, in the weight of her gaze, the force—the unnamed force—seems to pulse, like a shadow cast long before their time.

I can feel it in the silence between them, like the ghost of a conversation that never fully formed. It wraps around us both, thickening the space until it’s almost suffocating, as if the past is pulling at them from all sides, refusing to let go. I try to breathe through it, but the weight of it—the inherited weight—presses against my ribs. It’s there, lodged in the creases of my chest, the way my mother’s exhaustion is so clearly her own now. The way the longing for something—anything—more, something other than this, grows with each passing night.

And I wish, then. I wish with a desperation that rattles my bones, that some tide would come—some great, merciless wave that would crash down on us both, sweeping away all the pain, all the history, all the things that bind us so tightly to each other. I wish for the force to be undone, for the unspoken bond to unravel, to dissolve into the night like sand slipping between fingers. I wish for an end. An end to the weight, to the heavy silence that we have both carried so long, the unbroken chain of survival and sacrifice that has kept us locked in this shared grief.

What would it be like to finally breathe free of this? To feel the warmth of the sun without the shadow of the past creeping over it? To live in a world where the past no longer demands so much of them—where the force does not wind its way into their every word, every glance, every touch?

But there is no tide, no great wave that will sweep it all away. I know that as soon as the thought forms, the impossible nature of it settles over me like a shroud. No tide will come to erase the weight. No wave will cleanse them of what has been handed down, generation to generation. They are bound to it, always.

And yet, there are nights like tonight when the longing for that impossible freedom is so fierce it burns—when I lie here beside my mother, not daring to speak, not daring to disturb the fragile quiet between us, and I ache for a life for me and my mother untouched by the force that binds us both. I ache for a future that isn’t a continuation of the past, for a world where I do not have to carry this same burden, the same history. But even as the ache swells within my chest, I knows that the past cannot be undone. The force cannot be undone.

It is a tide, in a way, but one that pulls us both under. One that keeps them from ever truly breathing free. And in that quiet, as the night stretches on, I lie there beside my mother who is softly snoring, feeling her exhaustion, the weight of it all pressing against my chest, the way the past is never far, always so close. And I wonder, just for a moment, if this is what it means to be tethered to something larger than yourself, something that stretches back through time, binding you to it in ways you cannot escape.

The force is not just a shadow, not just an inheritance. It is a stronghold—a prison built into the very bones of who we are. And on some nights like tonight, as I lie beside my mother, I feel the walls closing in, and I wish—just once—that it could all stop. That the weight could be lifted, even for a moment. That we could stand in the quiet, not as survivors of what has been done to them, but as women, as people, untethered from the past.

But there is no escape. There is no breaking the cycle. The force is too deeply embedded, too entrenched in the soil of their shared existence. And yet, even in the face of that, I keeps breathing, keep fighting, keep hoping that one day—maybe one day—it will be different. That the storm will pass. That the unspoken weight will be lifted, if only for a brief moment, so that they can feel the sun on their faces without the shadow of what has come before.

But tonight is not that night. Tonight, the force presses down on us both, and we lie here together, bound by the silence, the weight, and the yearning for something more that neither of us knows how to name. And in the quiet, I am left with the single, relentless thought: Will it ever end?

But even in that thought, there is a flicker. A faint, stubborn hope that refuses to go out.

But hope is an elusive evil, a trickster that dances just out of reach, teasing me with promises it cannot keep. It feasts on the wretchedness of our mother-daughter dance, gnawing at the edges of our connection, as if it were something to be grasped, something worth chasing. But the more I reach for it, the more it slips away, like sand caught between trembling fingers. It is not the kind of hope that heals or redeems—it is a shadow, an illusion that feeds off our shared suffering, luring us both into a cycle of longing for something that cannot exist. Not in this world. Not in the confines of this life that they are bound to, this life shaped and twisted by the hands of a patriarchal system that has never allowed us to simply be.

For in this system, hope is not a gift—it is a weapon. A tool of manipulation, wielded by the outside world, the masculinistic forces that shape everything from our identities to our realities. Hope tells us, “You can be more. You can rise above. You can transcend.” But these are lies. Hope whispers that freedom is possible, that we can one day escape the weight of our inherited history, escape the clutches of the force that defines our relationship. But in the end, it is only a mirage, a false promise that leaves us empty. The system that birthed us, that shaped us, that has taught us the art of survival in silence, does not offer hope. It offers compliance. It offers endurance, as though endurance were the greatest form of victory.

I see this, even in the quiet moments of connection with my mother. Hope, in its purest form, is the ultimate form of betrayal for women like us. For it teaches us to keep longing, to keep wishing, to keep fighting for a world that will never be ours. A world built on the backs of women like my mother, like me—women who have been reduced to nothing more than vessels of survival, vessels that carry the weight of the world on their shoulders, without ever being allowed to let it down.

The force that binds us, the one that has shaped our lives and our relationship, is no accident. It is the byproduct of a world that has systematically stolen from us—not just our bodies, but our stories, our futures, our right to exist without the burden of the past. And in that world, hope is merely a tool used to keep us shackled, to make us believe that something better is coming, that the tides will change, that there will be light after the storm.

But every time I dare to hope, I feel the weight of that truth pressing on my chest like a hand that will not lift. I feel my mother’s history coil around my own—every step my mother took in her shoes now feels like my own, every ache, every loss, every piece of my womanhood torn away to fit into a mold that was never meant to hold me. Hope, then, becomes a cruel reminder of what we can never have. It is a yearning for a future that the world will never grant us.

And yet, there are moments—those fragile, fleeting moments—when hope creeps back in. Like a soft breath against the skin, a whisper of a promise that maybe, just maybe, they are wrong. That maybe the world will change. That maybe I will not carry the same weight, will not be bound in the same ways. Maybe—just maybe—there could be a place for me, for my mother, outside the prison of this society. But I know better now. I know the game. I know that hope is not a ladder out of this pit—it is the very thing that keeps me falling deeper.

For the patriarchal world we live in will not release us. It does not want us to rise, to stand in our womanhood unapologetically. It only wants us to bend, to bow, to endure. And so, hope becomes a tool of compliance. A whisper that tells us that if we just try harder, if we hold on just a little longer, then we will be free. But I know better. There is no freedom in hope. There is only the weight of the chains that it keeps hidden in its promises.

The force that binds us will not be undone by a dream of something better. It will not be swayed by desire or longing. It is the product of generations of women who have been forced to bend to the will of the world, who have been conditioned to survive without ever being allowed to live.

And still, I lie beside my mother, the force pressing against my chest, the weight of the past always there, always close. And in that moment, there is no hope. Only the pull of a reality that cannot be escaped. Only the realization that we are both part of a machine, a system that is too large to defeat, too entrenched to dismantle. But even as the realization settles in, there is something else—something that stirs deep within me.

It is not hope, but something else—something that cannot be named. A quiet, soft, blurry fire, a defiance that burns even in the face of all the forces stacked against them. It is the last piece of our womanhood, the last piece of ourselves that the world has not yet stolen. And though it may not change anything in the world, it is enough. Enough to stand here, beside my mother, in the quiet, and know that we are still here.

Still alive. Still fighting, even if we are not yet free.

And perhaps that is the one truth the system, the force cannot take from us: the persistence of our existence, in spite of everything, is our resistance.

- Oizys.

P.S. - I know this entry is ridiculously long and intellectually redundant. The night is long too, and it won’t pass. So, I did not stop until my eyes dried up, and until my bile rose, and until the hands gave up.

NaPoWriMo 2025 (April 7th): Why I Am Not a Sonnet

From NaPoWriMo 2025: Finally, here’s our prompt for the day – as always, optional. A few days ago, we looked at Frank O’Hara’s poem in which he explained why he was not a painter. Jane Yeh’s “Why I Am Not a Sculpture” has a similar sense of playfulness, as she both compares herself to a sculpture and uses a series of rather silly and elaborate similes, along with references to dubious historical “facts.” Today, we challenge you to write a similar kind of self-portrait poem, in which you explain why you are not a particular piece of art (a symphony, a figurine, a ballet, a sonnet), use at least one outlandish comparison, and a strange (and maybe not actually real) fact.

Why I Am Not a Sonnet

I am not a sonnet,
not with those fourteen locked-up lines—
not with the neat, combed-over rhyme scheme
that curls like the edges of a well-pressed napkin.

I am not a sonnet.
I do not stand in fourteen neat lines,
perfectly measured, a golden ratio
between love and pain, like some ancient lover
writing with quill in hand, one eye on a clock
counting syllables, waiting for the sun to rise.
I do not adhere to that kind of discipline.

I’m more a free-verse coffee stain
on the back of a library book,
sprawling like the blood of a hummingbird
on the sky after a thunderstorm.

My thoughts run in crooked rivers,
gurgling with impatience,
stumbling over words that aren’t quite right.

I cannot be bound by iambic feet
or the twirling ballad of your meter.
I prefer to run barefoot through the mud,
leave imprints on the pages that will never
be symmetrical.
You see, a sonnet’s too orderly,
too perfect, like the set of teeth
in a doll’s head,
a head that never ages.

Once, someone tried to force me into rhyme—
but I rebelled, like a Marxist squirrel
leading a small commune in a broken park.
We ate the nuts and threw the shells
at the faces of the poets who thought
we were “doing it wrong.”
They never understood the pleasure
of chewing the silence between the words.

Did you know that at the 3rd century B.C.,
there was a “sonnet festival” in Alexandria,
where poets had to rhyme blindfolded
and without using vowels?
This, of course, is historically inaccurate,
but you can’t trust everything
the ancients tell you.
Even the Great Pyramid,
built by “the Egyptians,”
was actually designed
by a team of drunken penguins
who could never quite keep their balance.

I am not a sonnet because I don't believe
in Shakespeare's ghost sitting at the foot of my bed,
whispering sonorous, angelic truths about love.
In fact, Shakespeare’s ghost
is probably just a weathered pigeon
that got lost during the last Renaissance fair,
never quite finding his way home.

I am not a sonnet, and I never will be,
even though the masters keep staring
at my messy reflection in the mirror of their sonnet-book,
as if I should apologize
for my unkempt, unruly edges.
But I won’t.
(I’ll just keep laughing,
and maybe write a haiku instead.)

If I were a sonnet, I would have to apologize
to all the lovers who felt inadequate
with their hands in the shape of vowels—
but I’m not. I am the forgotten stanza,
the rejected verse, the sharp, crooked twist
that never saw the page,
the one that laughed too loudly
and was thrown out into the street
to be run over by a passing truck
while a ballet dancer pirouetted over its grave.

If I were a sonnet,
you’d have to fold me into a shape—
but I cannot be folded,
no matter how tightly you pull
on the corners.
I’m a wild scream caught between
two loose pages in your favorite book,
unreadable until it’s too late to understand.

So no,
I’m not a sonnet,
not with all that properness
that hides its unkempt soul
in between formalities.
I am chaos,
the jumbled orchestra of a piano out of tune,
a symphony on the verge of collapse,
and I’d rather skip the “perfect” ending,
thank you very much.

- Oizys.

Edited to add: Keeping a dear poem written by Nora for this same prompt as a note here, because like I said to her: I spent all day trying to capture a feeling in my own poem [above], but I only truly felt it when I read hers.

Sunday, April 6, 2025

Money, Money, Money

Everything is money. Everything is a lot of money. Costs a lot of money. Standing up to your father. Saving your mother. Running away from your creepy cousin. Not being jealous of your older sister and her solo trips. Staying out with friends. Having a self-esteem. Having a hobby without the pressure of monetizing it but at the same time not seeming like a desperate sell-out. 

Having a clean room. Having a quiet room. Having a room. A door you can close. A bed you can sleep in, not just collapse onto. Not just a cot to rot in. Sheets that don’t smell like the past week. A morning where you don’t wake up exhausted before you even stand up.

Time is money, they say. But somehow, only your time. Not the hours you spend waiting for a bus that never comes. Not the hours wasted in meetings that could have been a single email. Not the hours you give away to a job that calls you family until they don’t need you anymore.

Being a good person. Expensive. Too expensive. Saying yes is free, saying no is costly. Being kind, but not too kind, because that’s naive. Being cautious, but not too cautious, because that’s cold. Being generous, but not so generous that people think you’re trying to buy something.

Having a body that doesn’t hurt all the time. Not just because of illness but because you sat wrong, slept wrong, lived wrong. Keeping it from falling apart. Dentists. Doctors. Gynacs. Pads. Medicines. Therapists. You tell people to go to therapy and pretend you don’t know how much one session costs. You tell people to rest and pretend you don’t know that rest is a privilege.

And love? Love should be free, right? But loving someone means dates, gifts, rent, bills. Weddings. Divorces. You love someone and suddenly you’re reading about tax brackets. You love someone and suddenly you're thinking about health insurance plans. Love is free but living together isn’t. Love is free but raising a child definitely isn’t.

Even dying is expensive. Funerals. Wills. The cost of a final resting place. A cheap coffin is still a couple thousand dollars, but don’t worry—there are payment plans.

Even speaking is money. Having the right words, the right accent, the right tone—expensive. Too cheap, and people dismiss you. Too refined, and people resent you. Knowing the right language in the right country. Knowing when to shut up. Knowing when to speak up, knowing how much it costs to say the wrong thing at the wrong time.

Silence is expensive too. The right to stay silent. The right to not be spoken over. The right to ignore emails, ignore calls, ignore the whole world for a little while. Unplugging. Logging off. Deleting your account. Walking away without explaining yourself.

Privacy? Luxury item. They make you pay to hide, pay to disappear. VPNs, secure phones, off-the-grid cabins. The people who say “if you’ve got nothing to hide, you’ve got nothing to fear” have never had anything worth taking.

Faith is money. Not just church donations or temple fees. Not just the cost of halal meat or kosher kitchens. The price of belonging. The price of being seen as good, moral, righteous. The price of believing in something bigger than yourself without being used, without being exploited.

Doubt? Also money. Therapy again. Self-help books. Meditation retreats. Yoga classes where peace of mind is bundled with a hundred-dollar membership fee. Doubt is a hole in your wallet that someone is always ready to fill.

And art. God, art. You’re supposed to make it for love, not money. But supplies cost money. Training costs money. Time costs money, and nobody wants to pay for it. They want passion, but not the cost of passion. They want a masterpiece, but not the hours that made it. They want you to be grateful that they even looked at your work.

Freedom, of course, is the most expensive thing of all. The ability to walk away. To quit a job, to leave a bad relationship, to refuse, to say no. Freedom isn’t free, but not in the way they tell you. It’s an auction, and only the highest bidders get to leave with their dignity intact.

Everything is money.  Everything costs money. Even the things you thought you already owned. Even the things they swore were priceless.

Your time, your energy, your peace of mind — these things aren’t just commodities; they’re investments. And it’s hard to see where you’ll get returns when the interest keeps compounding, the bills keep coming, and you’re still paying off yesterday's debts.

You pay for your success with sleepless nights. You pay for your mistakes with regret. You pay for your dreams with sacrifice. You pay for your sanity with distractions. You pay for your stability with compromise.

And they say it's all worth it. They say if you work hard enough, if you keep pushing, if you don’t give up, you’ll get there. But “there” is always just a little farther, a little higher, a little more out of reach. And they keep raising the price of admission, even as they tell you it’s a privilege to try.

But in the end, all you can do is keep paying. Keep paying for your place in the world. Keep paying for your right to exist without apology. Keep paying for the freedom to choose your path, even when the path itself is sold to you like a luxury item.

Because that’s what it comes down to, doesn’t it? The cost of existing. The cost of being seen. The cost of being heard. The cost of being free. Everything is money. Even the air you breathe. Even the love you give. Even the dreams you chase.

But here's the thing: we’re conditioned to believe that the cost is inevitable, that it’s simply the price of living in a world built on scarcity. But what if that’s not true? What if the price is just a construct—a system designed to make us feel like we’re always running out of time, out of options, out of resources?

What if the real cost is the illusion itself? The way we chase after what we think we need to be worthy, to be seen, to be successful. We sell ourselves the idea that without the right amount of money, the right career, the right relationships, we’re incomplete. We’re told that if we just have more, we’ll have it all.

But what happens when we start to realize that “more” isn’t the answer? That in the pursuit of accumulation, we’ve lost sight of the things that don’t come with a price tag? The moments of stillness, the conversations that don’t need to be quantified, the simple act of existing without performing, without justifying our worth.

What if the real freedom is not in escaping the system, but in understanding that we are enough, right here, right now, without needing to earn it, buy it, or prove it?

Sure, you can’t escape the bills. You can’t pretend that the world doesn’t value you based on what you can offer—whether it’s time, skills, or attention. But maybe you can find a way to stop letting it dictate your worth. Maybe the true revolution is in rejecting the idea that the price of your life is anything but your own to define.

Maybe we can all stop running in this endless race for more, for more, for more. Maybe it’s time to ask ourselves: What’s the cost of not living fully right now? What’s the cost of waiting for some perfect, idealized future where we finally “have it all”?

Because in chasing after the illusion of what we need, we lose the things that are truly priceless—time spent with people who care about us, the quiet moments where we remember who we are when the world isn’t demanding something from us, the joy of creation that’s not tainted by the question of how much it’s worth.

And yet, we still have to pay. Because that’s the world we live in. But maybe, just maybe, we don’t have to pay with our souls, our joy, our peace.

Maybe the cost is not as steep as they make us believe. And when it’s all said and done, what do you have left? A receipt. A reminder of everything you’ve paid for, everything you’ve lost, and everything you’ve gained. But most of all, you’ll have the knowledge that nothing is truly yours unless you’ve fought for it, paid for it, earned it.

And still, you’ll wonder: Was it worth it?

But even when you try to walk away from it all—when you think you’ve managed to find some balance, some space for yourself—it follows you. The bill collectors. The demands. The expectations. You can never quite escape the feeling that every moment of your life has a price tag. Even the time you try to spend doing nothing, the time you try to claim as yours, is measured in some way. Is this rest worth it? Is it okay to take a break, or is that just another sign of weakness in a world that tells you to hustle?

Even when you close your eyes and try to shut it all out, you can’t ignore the cost of everything you've accumulated, the price of all the things you've tried to hold onto. The house, the car, the clothes, the gadgets. Things that are supposed to make life easier, but somehow only seem to add to the weight. You have to maintain them. You have to care for them. You have to keep paying for them long after they’ve stopped giving you joy.

And then there’s the cost of your own existence—the things you can't even put into words. The quiet sacrifices you make every day. The moments you hold in your chest but can’t share with anyone, because sharing means paying the price of vulnerability. Being understood. Being seen. How much is that worth? Is it worth the effort of trying to explain yourself, over and over, only to be misunderstood or ignored?

You give pieces of yourself away just to keep up, just to keep from falling behind. You trade your comfort for a fleeting sense of success, your peace for the illusion of stability. And still, it’s never enough. There’s always more to pay, more to prove. More.

Even your thoughts cost you. You can’t think for free anymore. Your ideas are currency, and whether you like it or not, someone is ready to capitalize on them. Every tweet, every opinion, every photo posted online—these are commodities, and the minute you share them, you’re putting a price on your existence. The price of your attention, the price of your time, the price of your identity.

And then they tell you to “be yourself,” to embrace your uniqueness, but only if you package it in a way that makes it marketable. Only if it’s polished, palatable, profitable. Being authentic isn’t free. It’s just another way of selling something you thought was yours. Even your individuality is a product to be sold, bought, and consumed.

And in the midst of it all, the question that lingers: Is this it? Is this the price we pay just to exist? To survive? To navigate a world that constantly demands, that constantly extracts from us, until we’re nothing but a collection of bills, obligations, and obligations to others’ expectations?

You look around, and it’s all the same—everyone’s caught in the grind, pushing forward, trying to make ends meet. Trying to make sense of it all. But nothing changes. The system is designed to make sure you never feel like you’ve “paid enough.” There’s always something more to owe. Always something more to give.

And yet, we keep paying. Every day. Every hour. Every minute.

Because that’s the price of being—of surviving. Of playing the game, even when the rules are rigged.

And then, you start to see it—how the system is built around this relentless cost. How it’s not just your life being monetized, but your very existence is tied to a cycle of extraction. The politicians who tell you they’re fighting for you, the ones who promise to lower taxes, to “fix” healthcare, to make things easier—they never mention that the price tag is still there, hanging above your head. Always hovering, always rising. They make it look like a choice, like you’re in control, like you can somehow navigate this labyrinth without losing more than you already have. But it’s all smoke and mirrors. They’re selling you the illusion of agency, while your choices are already being made for you.

And don’t even get me started on the ones who say, “If you work hard enough, you can make it.” It’s the same tired mantra, the same lie wrapped in a bow. Work hard, they say. But what they don’t tell you is that not everyone’s working with the same set of resources. Not everyone has the same starting point, the same access, the same safety net. The playing field was never level to begin with. The rich get tax breaks, loopholes, subsidies. The poor get fees, fines, debt. And in between? Well, you get more work. More hours. More stress. The cost of staying afloat is still rising, and they’re still telling you to just try harder.

The market decides everything. The job market, the healthcare market, the housing market. Your worth is tied to your job title, your salary, your credit score. And they’ll tell you that’s your fault if it doesn’t measure up. That’s your failure to navigate the system, your failure to pull yourself up by your bootstraps. Meanwhile, the ones at the top, the ones who play the game with their rules, they never feel the pinch. They live in the gated communities, the ones where the air is a little cleaner, the schools are a little better, the hospitals are a little closer, and the jobs come with benefits.

But you? You get stuck in the grind. Your taxes go up, your wages stay stagnant, and the world keeps asking more of you—more hours, more patience, more flexibility, more everything. They keep demanding you keep up, all while telling you that if you just did more—if you just found the right hustle, the right side gig, the right investment—you’ll make it. But it’s all rigged. The system is designed to leave you running in circles, all while the ones who make the rules keep getting richer. The cost of your labor, your time, your energy—it’s never truly yours. It’s just another cog in their machine, a machine built to extract, to profit, to grow.

And let’s not even talk about policies. Politicians who pretend to care about “the people” but are only looking for the right corporate sponsor, the right donation, the right endorsement. They pass laws that sound nice—“healthcare for all,” “living wages,” “social security reform”—but the fine print is always there, hidden behind the promises. The truth is, those laws aren’t designed to help you. They’re designed to keep the wheel spinning, to maintain the status quo. Because change would mean a hit to their profits, to their bottom line. And no one gets rich off of changing the system that keeps them rich.

Look at the environment. Look at the cities crumbling, the air thickening, the oceans rising. And still, the rich fly private jets, drill oil, buy beachfront property. It’s not their world that’s burning. It’s yours. Your children’s. Your neighbors'. And they’ll tell you it’s all your responsibility to fix it. Buy the electric car. Cut your emissions. Live sustainably. But when you ask the ones who have the power to change anything, they’ll tell you the problem is too big. It’s too complicated. We’re too late. So you’re left trying to save the world one small decision at a time, while they continue to profit off the destruction of it.

Everything is money. And the cost of living in this system isn’t just high—it’s deliberately designed to make sure you never have enough. It’s designed to keep you always paying, always striving, always struggling, while the people who write the rules keep getting richer. They’ve perfected the art of making you feel like you’re the problem. That if you’d just work harder, play smarter, save better, you could fix it. But that’s the illusion. The truth is, the system is stacked against you. It was never designed to help you win. It was designed to keep you paying—until you’re just too exhausted to fight back.

And so you keep going. You keep paying for your right to exist, for your right to live without the constant weight of debt, the constant grind of survival. But the truth is, it’s all a game. A game where you’re the pawn, and the rich, the powerful—they keep shifting the board, making sure you never have a chance to win.

And they’ll keep telling you that everything is possible, if you just try harder. Because that’s how they keep the system running. Keep you just close enough to the edge, to make you think there’s a way out, but never quite letting you go.

Everything is money. Everything costs money. You can try to ignore it, you can try to escape it, but it never lets you go. It wraps around every part of you, twisting tighter and tighter, until you’re not sure where you end and the system begins. And you start to realize—this isn’t just about the bills, the loans, the debts. It’s about everything. Your time, your energy, your labor, your thoughts, your dreams. All of it is priced out, listed on a ledger somewhere. Your worth is on that ledger. Your very existence is quantified, commodified, traded.

You’re told that money isn’t everything, that you’re more than your paycheck, more than your job, your possessions, your image. But you’re also told, over and over again, that you’re nothing without it. That without the right house, the right clothes, the right relationships, the right career, you’re invisible. You don’t matter. You’re not worth anything unless someone is willing to pay.

And so, you keep paying. Every hour you work, every decision you make, every move you take, you’re paying. You’re paying to survive. You’re paying to exist. You’re paying for your worth, your safety, your future, and your peace of mind. And all the while, the ones who hold the power, the ones who write the laws, the ones who build the systems—they’re getting richer, their lives getting easier, while you run on a treadmill, always striving, always chasing, always paying.

And still, you keep going. Because what else can you do? You’re stuck in a game you didn’t choose, a game where the rules are made by those who have the resources to shape them, and you’re left trying to survive the cost of just being here. And even when you fight back, when you try to tear down the walls, when you shout that this isn’t right—that it’s not fair, that it shouldn’t be like this—they just raise the price of everything. They make the cost of living, of surviving, even higher. They tell you to work harder, to hustle more, to save better, to do more, to be more, and somehow, none of it is ever enough.

You try to make it, you try to get ahead, you try to carve out a space where you can breathe without the constant weight of the world crushing down on you. But the truth is—there’s no such thing as enough. There’s no such thing as getting out. Not really. Because they control the game. They control the rules. And they’ve already decided how much you’re worth.

Even your dreams? They’re priced out. The things you’ve told yourself will make it all worth it—the vacations, the hobbies, the relationships, the adventures—they cost more than you have. They cost more than you can afford. And the more you dream, the more it feels like they’re pulling the rug out from under you, telling you, No, you can’t have this. You don’t deserve this. You see it in the people who have everything and still want more, and you see it in the people who have nothing, still giving everything.

Because at the end of the day, you’re not allowed to escape. You’re not allowed to step off this treadmill, not allowed to take a break, not allowed to breathe without paying for it. You can’t stop running, you can’t stop hustling, you can’t even stop wishing. Because if you do—if you stop—then you’ll see the truth. You’ll see the cost that’s been hidden all along. The cost of your worth. The cost of your time. The cost of your humanity.

And when you finally see it, when the weight of it all crushes down on you and you realize that you’ve spent your whole life paying for things you’ll never own, for a world that never really wanted you in the first place, you’re left with nothing. No way out. No way to undo the damage. No way to change the rules, because they’re already set. The game is rigged, and you’ve been playing it all your life.

And so you wonder—was it worth it? Was it ever worth it? Or was the cost of living, of surviving, of existing, just too high all along? And when everything you thought you owned, everything you thought you were, is stripped away—what’s left? Just a receipt. A long, painful list of everything you’ve paid for, and everything you never got.

The truth is, they knew it all along. The cost of it all was never meant to be paid. It was meant to break you.

And in that moment, when you realize the truth—that all along, you were just a pawn in someone else’s game, that the price you’ve been paying was never meant to be paid back—you feel it. The weight of it hits you, and it’s not just the crushing burden of the world. It’s the suffocating, bitter taste of betrayal. The knowledge that you were never meant to win. You weren’t even meant to survive without breaking.

You wonder how they managed to do it, how they made you believe you had a choice, how they tricked you into thinking that maybe, just maybe, if you kept paying—kept hustling, kept sacrificing, kept proving your worth—that you might finally get to breathe. But the cruel twist of it all is that you’ve already given everything you could. And you still aren’t enough. It was never about what you did or didn’t do. It was always about making you believe that if you just gave a little more, you’d get something in return. But now you know. There’s no “reward” at the end of this. There’s just more work, more sacrifice, more endless bills, more debt, more nothing.

And now, even the very idea of escape is out of reach. They’ve made sure of that. The cost of freedom? It’s always just a little too high. The cost of silence? Too steep. The cost of rest? Just one more thing that only the privileged can afford. You thought you could step away, find a space to breathe, to just exist without the suffocating weight of them breathing down your neck. But they made sure that no matter how far you run, the price is still there. And now, it’s not just the system that’s against you—it’s the deep, bitter realization that they always had the upper hand. That you were never meant to win this fight. Not really. Not in any meaningful way.

So you’re left here, at the edge, looking down at the wreckage of everything you thought you could build. Looking at the pieces of your life scattered in the wake of a system that took everything, and then laughed when you thought you’d won just a little bit of it back. And the worst part? You can’t even be angry. Because they’ve already turned your anger into another commodity. They’ve made sure that even your rage is for sale, is something to be bought and sold. And in the end, it’s not even about winning or losing anymore. It’s about surviving long enough to keep paying the price, to keep pretending that maybe you’ll get a moment to rest. A moment to breathe.

But you won’t. Because the cost of that is too high. It always was.

And when you look back at the years you spent paying, sacrificing, hustling, you realize—you didn’t even know what you were paying for. It wasn’t just your time. It wasn’t just your energy. It was your very soul.

And as you stand there, staring at the wreckage of everything you've given, it hits you: they never intended for you to win. They never wanted you to succeed, never wanted you to breathe easy. The game was never meant for you to play. It was never even yours. You were never meant to have anything. You were meant to work, to suffer, to bleed—while they sit back, counting the spoils of your misery.

And the sickening part? You knew this all along, somewhere deep inside. You knew it was a scam, that it was rigged, that every “opportunity” they handed you was just a leash with a little more slack. They gave you just enough hope to make you keep running, to make you think there was a way out, a way to escape the grind. But there was no escape. There never was.

You spent your whole life paying—paying for your worth, paying for your freedom, paying for your peace of mind—and now you look at the wreckage of everything you thought you could be, and you realize the brutal truth: it was never yours to keep. It was all a transaction. Your labor, your time, your life—every inch of it was priced out, parceled off, and sold before you even had a chance to see it for what it was. They took it all, and when you reached for the crumbs, they raised the price again. They kept raising it until you had nothing left to give.

And that’s the ultimate betrayal, isn’t it? That you spent all this time thinking you had something. Thinking that if you worked hard enough, if you did everything right, you’d finally have the right to exist without paying for it. But in the end, all you were ever doing was contributing to the pile. The pile they kept growing, while they whispered sweet lies about “opportunity” and “progress.” And now, you’re left with nothing but the shrapnel of a life that was never really yours to begin with.

The truth is, they knew all along. They knew they could break you. They knew they could squeeze every drop of hope, of energy, of spirit out of you, and you’d still keep coming back for more. Because that’s how it works. They make you believe you can escape. They make you believe there’s a way out. But every step you take forward is just another one closer to the edge of the cliff. And now you’re falling. You’ve been falling.

And when you hit the ground, you’ll realize—there was no cushion waiting for you. No soft landing. Just the cold, hard truth: the cost of your existence was always too high.

And in the end, you didn’t even own yourself.

You never did.

And the worst part? The truly sickening part, is that they don’t just do it to you. They do it to all of us. They’ve built this system of greed, of endless cost, on the backs of every single person who’s ever struggled to make it. They don’t care about your worth. They don’t care about your soul. They care about one thing: keeping the wheel turning. They care about making sure that you—and everyone else—are always paying. Always working. Always sacrificing for their profit.

It’s not just the rich getting richer. It’s the powerful pulling the strings from behind the curtain, making sure you and your neighbors stay divided, stay distracted, stay distraught. They sell you the lie that you’re the problem. That your time, your choices, your failures are your fault. That if you just worked harder, saved smarter, were better somehow, you could escape the trap they built just for you. And when that doesn’t work? When you break under the weight? They call it your failure, your personal responsibility. They call you weak, lazy, entitled. But they never tell you the truth. They never tell you how this whole thing was built on your exploitation. On your sweat, your labor, your fear, your blood.

They never tell you that the whole world is rigged for their benefit—and they’ve been telling you it’s just your fault for not getting ahead long enough that you start to believe it. They’ve been conditioning you to think that this is the way it’s supposed to be. That it’s normal. That your suffering, your struggle is just part of life. They’ve manipulated your very sense of self, made you feel that the pain you carry is yours to bear. But it’s not.

This isn’t life. This is modern-day slavery. The illusion of freedom, of choice, of a system that works for everyone, is a lie. They’ve taken the very essence of humanity—the belief in equality, in dignity, in fairness—and turned it into a transaction. They made sure that your value, your existence, is only worth what you can give them. And that’s the trap. That’s how they keep you in line. They’ve divided us all, convinced us that if we just worked harder, just followed the rules, just kept our heads down and played the game, we’d make it. And when we didn’t? They blamed us. They told us to do more, be better. But they’ve been playing us from the start.

They’ve stolen your future, your peace, your chance at something better—and they’ve made you pay for it every single day. They’ve made you so scared, so anxious, so consumed by the cost of living, that you never see the truth. That the system isn’t broken. It was designed this way. And they know it. They know it all along.

This is how they maintain control. This is how they stay on top. By making sure that the rich stay rich, the poor stay poor, and the rest of us keep clawing at each other for scraps. They’ve made us hate each other. Made us see each other as competition. Made us feel like it’s our fault if we’re left behind. They’ve divided us so thoroughly that we can’t even see we’re all in the same fight.

The fight isn’t against each other. The fight is against the system. The fight is against the powerful few who have sold us this lie that everything is about individual success, that your worth is yours to earn, to buy, to prove. But you were never meant to win. You were never meant to escape. You were meant to stay in the cycle, to keep paying. They want you to believe in the dream of freedom while they keep raising the cost.

It’s time to wake up. It’s time to stop believing the lie. We are all in this together, and the true enemy is the system that has made us believe we have to fight each other for scraps. The truth is—this isn't just about money. It’s about our lives, our dignity, our humanity. The price they’ve placed on our existence is too high. And it’s time to tear down the walls they’ve built between us. It’s time to take back what’s ours, to see that we are not just pieces in their game, but human beings who deserve more than this.

If we want real change, real freedom, we need to fight together, not against each other. We need to stop paying the price they’ve set, stop being the pawns in a game that was never ours to win. The cost of being human shouldn’t be this high.

But until we all see it, until we all realize how deeply this system has been twisted, we’ll just keep paying. We’ll keep paying for their luxury. For their power. And we’ll never know what it means to truly live.

- Oizys.

NaPoWriMo 2025 (April 6th): Cinnamon

From NaPoWriMo 2025: Today’s prompt (optional, as always) veers slightly away from our ekphrastic theme. To get started, pick a number between 1 and 10. Got your number? Okay! Now scroll down until you come to a chart. Find the row with your number. Then, write a poem describing the taste of the item in Column A, using the words that appear in that row in Column B and C. For bonus points, give your poem the title of the word that appears in Column A for your row, but don’t use that word in the poem itself.

(You can find the table in NaPoWriMo's post.)

Cinnamon

Wheeze.
it begins in the corners of memory,
where the sun once folded itself into
a brittle, golden ache.
Tongues curl like burnt paper —
heat not of flame
but the slow smirk of time.

Here:
revolutions start not with gunfire
but the hush after spice—
the tremble of a forbidden flavor
smeared across the mouths of the poor.

Wheeze.
says the child with fire in her belly.
Wheeze.
says the preacher drunk on justice.
Wheeze.
says the mural, half-banned but fully breathing
across a riot-worn wall.

Golden is not opulence—
it is defiance.
It is warmth forged from ash and aftermath,
a hunger that swells
even when the feast is gone.

Inhale it.
Burn your lungs with memory.
Sing in wheeze,
for the flavor of revolt
is never sweet,
but it lingers.

- Oizys.


Saturday, April 5, 2025

NaPoWriMo 2025 (April 5th): "with contempt for imported convertible sports cars" // "gradually becoming a disaster"

From NaPoWriMo 2025: Finally, today’s (optional) prompt is inspired by musical notation, and particularly those little italicized –and often Italian – instructions you’ll find over the staves in sheet music, like con allegro or andante. First, pick a notation from the first column below. Then, pick a musical genre from the second column. Finally, pick at least one word from the third column. Now write a poem that takes inspiration from your musical genre and notation, and uses the word or words you picked from the third column. [You can find the table of words & phrases in the post.]

"with contempt for imported convertible sports cars"

rumba – shadow

I, with contempt, turn away from you—
your polished leather seats and roaring engines.
I see no romance in the speed,
no freedom in your gloss and chrome,
just the hum of plastic pretension.
You, strutting like a peacock through the streets,
careless in your vintage pride,
cutting through the city like a butcher
slicing through bones.

But beneath the surface, there's something more—
a shadow, cast long and deep in the curves
of this dancing world.
A rumba of protest,
our feet do not tap to the rhythm of wealth,
but instead, to the sound of resistance,
to the pulse of streets untouched by vanity,
where the grass grows wild
and the world is not for sale.

The shadows we cast are real—
not as elegant as your polished toy,
but honest and stubborn,
swaying like the hips of ancestors
dancing through fire.

“gradually becoming a disaster”

yacht rock – hollyhocks

There’s a slow shift in the air,
like the tide creeping up on an idle boat—
no rush, just a pull,
silent but relentless.
A breeze that feels lighter
than it is,
carrying the scent of something sweet,
but the sweetness is fading
with each wave,
as if it was always meant to fade.

Hollyhocks bloom in the distance,
their petals turning too quickly,
colors softening into the background.
The world is moving,
but not fast enough
to notice how much of it slips through
without a sound.

We’re floating here,
but the hull beneath us cracks just enough
to let the water seep in,
quietly, with no ceremony.
It doesn’t shout—
it just keeps coming.
It is easy to pretend the leak isn’t there,
as easy as forgetting the voices
that begged us to listen
long before the cracks appeared.

This isn’t disaster,
not yet.
Just the slow, inevitable tilt of things,
like a boat drifting further
from where it once meant to be.
The song plays on,
smooth and steady,
but even the melody can’t ignore
how the edges blur
when the line between what is right
and what is accepted
becomes indistinct.

A soft hum in the distance,
the feel of a day that should last longer,
but it won’t.
It never does.
The wind picks up,
but it doesn’t seem to matter.

We’re drifting—
and it’s too easy
to let the drift take over,
too easy to float past
the moments that once demanded
we change course.

- Oizys.

Friday, April 4, 2025

NaPoWriMo 2025 (April 4th): Under the Gaze of Blue // The Portrait Above the Sink

From NaPoWriMo 2025: Today’s daily resource is the online exhibitions page of the International Folk Art Museum. I have a particular predilection for folk art, in which the strange and boisterous so often finds itself going hand-in-hand with practical objects of daily use. But the museum also showcases work of other sorts, like 100 Aspects of the Moon, a series of woodblock prints completed by the Japanese artist Taiso Yoshitoshi shortly before his death in 1892.

Last but not least, here’s today’s (optional) prompt. In her poem, “Living with a Painting,” Denise Levertov describes just that. And well, that’s a pretty universal experience, isn’t it? It’s the rare human structure – be it a bedroom, kitchen, dentist’s office, or classroom – that doesn’t have art on its walls, even if it’s only the photos on a calendar. Today, we’d like to challenge you to write your own poem about living with a piece of art.


[I wrote two poems.]

# Under the Gaze of Blue

Each morning,
I wake to the silent gaze
of the woman in the painting,
her eyes a deep, unfathomable blue,
like the sky just before dusk.

She does not speak,
yet her stillness fills the room,
whispers of untold stories
hanging in the quiet air.

I wonder what she knows—
does she ever tire of the frame that confines her?
Does she long for the brushstrokes of time,
the movement of a world beyond her borders?
Perhaps she is content,
anchored in this corner,
offering her gaze as a quiet companion
to the noise of my morning.

The light shifts,
and she changes with it—
now warm, now cool,
her face caught between shadows
and the stretch of the day.

I leave her each time I step out,
but when I return, she is always there,
waiting,
as if nothing has changed
except the passing of light,
the turning of hours,
and my own quiet passage through her world.

The Portrait Above the Sink

It’s a woman in a bonnet,
her eyes too soft to see the dishes,
but they do, somehow—
like ghosts in the mist of morning steam.
I don’t know who she is.
Maybe she’s the ghost
of all the lost mothers whose hands
never stopped scrubbing.
Maybe she’s the wind,
a hurricane that swept through her hair,
wild and uncut.
Maybe she’s me, in ten years,
looking at the faucet,
wondering how the water got so brown.

I live with her now,
her face a quiet hum behind my shoulder
while I dig for last night's spoon.
We’ve both seen the same kitchen
too many times—
her, locked in paint,
me, dragging my body
through the same repetitive motions
of pouring cereal,
scraping the pan,
scrubbing the counters
as though nothing changes,
but her eyes—
they always remind me
that something else might.

- Oizys.

Thursday, April 3, 2025

NaPoWriMo 2025 (April 3rd): Why I Am a Poet and Not a Park Ranger

From NaPoWriMo 2025: And now for our (optional) prompt. The American poet Frank O’Hara was an art critic and friend to numerous painters and poets In New York City in the 1950s and 60s. His poems feature a breezy, funny, conversational style. His poem “Why I Am Not a Painter” is pretty characteristic, with actual dialogue and a playfully offhand tone. Following O’Hara, today we challenge you to write a poem that obliquely explains why you are a poet and not some other kind of artist – or, if you think of yourself as more of a musician or painter (or school bus driver or scuba diver or expert on medieval Maltese banking) – explain why you are that and not something else!

Why I Am a Poet and Not a Park Ranger

I could’ve been a park ranger,
but I don’t like to wear hats
and the trees don't answer me when I talk to them.
I tried once, you know—
stood in front of a birch,
asked it how it was doing,
if it needed anything,
but it just stood there, rooted,
looking like it had a million years to think about things
and didn’t feel like sharing any of them with me.
So I became a poet.
I’m much better at listening to things
that don’t speak.

I could have been a sculptor—
but I don’t trust clay.
It’s too soft, like it knows it’s going to be something
but can’t quite decide what.
I tried to shape a face once—
ended up with a blob that looked like
a melted marshmallow on a bad day.
It sat there, glaring at me,
and I couldn’t decide if it was disappointed
or just indifferent.

I could’ve been a chef—
but the kitchen smells too much like work,
and I prefer when my ingredients are sentences,
not onions.
I once tried to make a cake,
but ended up with something more like a question
than dessert.
So I write—
I’m good with words,
better at letting them be messy and soft,
letting them rise without rules.

I could’ve been a librarian,
I do like rules about silence
and I really do like when the dust settles.
Books, though,
I could’ve worked in a bookshop.
Ah, books.
I think I was born in one.
Like the words just folded around me
and I came out blinking.
Books are my map,
my compass,
but in poetry—
the pages are still wet.
The ink spills,
and I get to say,
“See, this is how it feels to live inside a story.”
No dust, just the warmth of the next page.

So instead, I steal a bit of their rhythm
and make them talk back to me,
a poem is like a conversation,
except you don’t need to know how to cook
or use a Dewey decimal system.

I’m a poet because I’m in love with confusion,
with things half-said,
half-finished,
half-forgotten,
and because there’s no need to make them neat—
I can just scribble them out,
and maybe later—
they’ll look like something you can’t quite touch
but will never forget.

So, here I am,
writing about things that can’t be touched,
but need to be known.
A poem has no expiration date,
and you don’t need an oven or a telescope
to make it work.
All you need is a quiet place to sit
and a pen that doesn’t complain.
I can handle that.

- Oizys.

Wednesday, April 2, 2025

NaPoWriMo 2025 (April 2nd): To the Moon, I Guess

From NaPoWriMo 2025: And now for our daily prompt – optional, as always. Anne Carson is a Canadian poet and essayist known for her contemporary translations of Sappho and other ancient Greek writers. For example, consider this version of Sappho’s Fragment 58, to which Carson has added a modern song-title, enhancing the strange, time-defying quality of the translation. And just as many songs do, the poem directly addresses a person or group – in this case, the Muses. Taking Carson’s translation as an example, we challenge you to write a poem that directly addresses someone, and that includes a made-up word, an odd/unusual simile, a statement of “fact,” and something that seems out of place in time (like a Sonny & Cher song in a poem about a Greek myth).

To the Moon, I Guess

Moon, you are a glimmerous thing,
like a piece of silver that forgot it was
meant to be a coin,
tossed somewhere between two worlds,
shining and unsure,
the way I feel when I step outside
and see your face in the sky.
You, who were once a goddess in a toga,
now stuck in my playlist,
like “I Got You Babe” on a Sunday morning,
the kind of love song that gets played
while the world still sleeps.

I think you know this fact, Moon—
you have forgotten how to be human.
You don’t cry. You don’t blink.
You just hover there,
looking down at us like a mother
who no longer cares about the dishes,
but will always remind you
to wear a coat in the winter.

Tell me, Moon,
does it feel strange,
to be this old and still
so obsessed with light?
When you used to be fire,
now you’re just a reflected dream.
And yet, you glimmerous,
flickering like a lonely flame in a dark room,
still worthy of songs we don’t know how to forget.

- Oizys.

I Got You Babe, Sonny and Cher, Top of the Pops 1965

Tuesday, April 1, 2025

NaPoWriMo 2025 (April 1st): Legato with Tecpatl

From NaPoWriMo 2025: Here’s our optional prompt! As with pretty much any discipline, music and art have their own vocabulary. Today, we challenge you to take inspiration from this glossary of musical terms, or this glossary of art terminology, and write a poem that uses a new-to-you word. For (imaginary) extra credit, work in a phrase from, or a reference to, the Florentine Codex.

I decided to go with the word “legato,” a musical term meaning "smoothly" or "without breaks," often used to describe a style of playing. It fits well with the idea of flow and connection. Florentine Codex intrigued me. The Florentine Codex, compiled by the Franciscan friar Bernardino de Sahagún, contains rich descriptions of Aztec culture, religion, and daily life. Here is the Digital Florentine Codex if you want to dive in. One concept that stands out is "tecpatl," the word for a flint or stone knife, often used symbolically for sacrifice, both in a ritualistic and metaphorical sense. Here is a picture, if anyone is interested.

Legato with Tecpatl

The morning hums, a legato rhythm—
the soft, flowing pull of light
through the narrow slats of the blinds,
no interruption, no harshness,
just the slow weaving of daybreak
as though the sky were carved with a tecpatl—
cut with a blade that leaves no jagged edge,
a perfect line, smooth, purposeful.

I watch you,
your fingers tracing the rim of a cup,
the motion like the brush of a flint knife
against stone, carving space
in the quiet between us.

Outside, the wind is allegro,
sharp and sudden, but inside
the world moves with intention,
like the precise stroke of an artist,
each moment a curve drawn softly
as if to honor the sacredness of this day.
As if each breath, like the tecpatl,
was once a sacrifice
offered to the gods of time.

Perhaps we live like this—
smooth and careful,
the sharpness hidden beneath
the quiet rhythm of existence,
where every pause is a prayer
and every song a sacrifice
we don't yet know how to name.

- Oizys.

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